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Because fashion designs tend to follow existing trends, Suk said that the “substantially similar” copyright standards for film, music, and literature, cannot be applied to fashion designs...

Author: By Tyler G. Hale, CONTRIBUTING WRITER | Title: Harvard Law School Professor Advises Schumer on Fashion | 3/9/2010 | See Source »

...alone the mass market success of—a band made up of Britpop star Damon Albarn, comic book artist Jamie Hewlett, and a series of featuring artists that now includes hip-hop producer Danger Mouse, rock legend Lou Reed, and the Lebanese National Orchestra for Oriental Arabic Music. It is even more surprising that these disparate figures, who collectively form Gorillaz, have built a reputation as a hip-hop group. In fact, Gorillaz has always been more influenced by comparatively esoteric genres...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

Indeed, the line between lyrics and music is blurred throughout “Plastic Beach.” In their departure from rap and its focus on language, in search of a new, more sonic form of musical expression, Gorillaz have made their music and lyrics blend to form what is often no more than raw sound. An appropriate decision—after all, what could speak the language of plastics and machines better than pure noise...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

Sanders Theatre was filled with rich, textured harmony last Friday evening during Harvard-Radcliffe Orchestra’s (HRO) third concert of the 2009-2010 season. Under the baton of Federico Cortese, a senior lecturer in the music department, Harvard’s largest orchestra exemplified its virtuosity with its program of Chopin, Kirchner, and Brahms...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: HRO Pays Tribute to Kirchner | 3/9/2010 | See Source »

Cortese took a moment before the second piece, Music for Orchestra II, to commemorate its composer Leon Kirchner. Kirchner, who passed away last September, was a professor in the music department from 1961 to 1991 and conducted Harvard musicians and orchestras around the world. Though far removed from the romantic lyricism of Chopin’s Piano Concerto No.1, Music for Orchestra II was distinguished in its own right. The fiery piece united the strength of brass, percussion, and the raw chords of the strings, echoing the music of Stravinsky and Schoenberg. The piece was a worthy tribute to Kirchner...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: HRO Pays Tribute to Kirchner | 3/9/2010 | See Source »

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