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...marketed. The genealogical basis of today’s Hipster is in the Beat Generation. The Beat-Hipster’s legitimizing counter-cultural features were the unconventionality of their semi-nomadic lifestyle, the sexual openness, and commitment to expression freed from formal technique. The music, appropriated from Black Americans, was bebop. Most importantly the Beat-Hipsters were sincere...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

...existence. The outplay of this has been a new wave of gentrification in American cities. There is gender and sexual flexibility in the metropolitan Hipster scene, but this comes with the relative safety of increased mainstream and corporate acceptance of queer identities, which the Beats did not have. The music of Hipsters is the mash-up, which rather than putting forth an original and challenging new style of music, plays off the popularity of different mainstream elements that produces something new, but not original...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

...underlying ideology, is self-conscious to the point of stylizing that awareness. The video is a celebration of celebrity qua celebrity, as well as an amalgamation of different cultural allusions, the familiarity of which render the viewer comfortable. ‘Telephone’ is pop music with the sizeable development of its use of brands like Miracle Whip, Virgin Mobile and Diet Coke in the video medium. The pieces of corporate sponsorship are not snuck-in and normalized, but focal points. Similarly, the self-awareness of multi-lingual subtitles and the reference to rumors of Gaga?...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

...says. “But I found that working in a bureaucracy turned out not to be the best way for me to achieve that. I wanted to connect on a more direct level, and I found that the best way I could do so was by playing music. If having that one-on-one connection means just playing Saturday night gigs...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Kennedy School Americana | 3/30/2010 | See Source »

...management and negotiations training. But he says that while he remains open to whatever possibilities lie ahead in his future international relations career, his heart currently lies with the band. “I’ve found that I complete my role in the community best by making music,” he says. “The Kennedy School did a great job of enhancing my awareness, and it’s given me the drive to really do something.” If all goes as planned, he says, “The band will become...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Kennedy School Americana | 3/30/2010 | See Source »

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