Word: musicals
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...like all classical music institutions, is trying hard to find ways to engage new audiences, and particularly young audiences. Part of the allure of a lively, fun production like the WNO “Ariadne” is its ability to introduce opera to casual or first-time listeners without condescension or elitism...
...compliment. The indie-pop side project of actress Zooey Deschanel and musician M. Ward produce winsome and memorable tunes, but these tunes lack substance. The duo’s sophomore album, “Volume Two,” is a solid release, with pretty, bittersweet melodies, but the music breaks no emotional or musical barriers. Sticking to pathos with a smile, it offers very limited rewards...
...their preceding “Volume One,” Deschanel sings, composes, and plays banjo and piano while Ward contributes production, backup vocals, and guitar playing. But listening to their music, the group sounds a lot more “She” than “Him,” Deschanel’s sound and outlook dominate the tracks...
...nothing wrong with “Volume Two;” Deschanel and Ward have produced a pretty, well-written record. But, as a second album, it could have gone a lot further. Their retro shtick works to an extent, but prevents them from reaching any musical or emotional heights. It’s light music at best, resolutely unwavering from its affect of bittersweet, upbeat melodies. She & Him’s vagueness ultimately fails to arouse any real feeling, leaving this album a disappointing failure...
...film, however, does little more than present clips of these shows in relatively unexciting footage. Much of the film is shot in black and white, a treatment completely contrary to the White Stripes’ fervent belief that their music is spontaneous and immediate—not emulative and rooted in the past. Additionally, the black and white filter seems like a post-production effect added to produce some sense of feigned authenticity. This, too, is completely contrary to the White Stripes’ own recording methods, which involve tape-recording with little to no post-production work. There exists...