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Word: musication (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...FESTIVAL (NET, 9-10 p.m.). The life and music of Composer Dmitri Shostakovich are presented in still photographs and recent documentary footage in this Soviet-produced film...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

REQUIEM, K. 626 (Telefunken). Mozart's liturgical music is tricky to interpret. But Karl Richter, an organist and harpsichordist as well as conductor, creates a performance that combines operatic grandeur in the Dies Irae with the religious awe attending death that is heralded by the sepulchral drumbeats at the close of the Agnus Dei. The four first-class soloists (Maria Stader, soprano; Hertha Töpper, alto; John van Kesteren, tenor; Karl-Christian Kohn, bass) enter into the spirit of their conductor's classical conception: they never struggle to achieve Wagnerian eminence of tone but modestly blend into...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...later went back to Tel Aviv, where he was employed as a bookkeeper, and died in 1951. She remained in Israel with a daughter Sara, who now lives on a kibbutz in the Negev, and a son Menachem, a cellist who studied with Pablo Casals and is now teaching music in New Haven, Conn...

Author: /time Magazine | Title: World: ISRAEL'S NEW PREMIER | 3/14/1969 | See Source »

Syria's governments have been over thrown so often that there is by now a certain ritual for a coup: martial music on Damascus radio, stentorian communiqués, tanks rumbling in the streets and the losers either shot or sent into exile. Last week, as rumors of yet an other upheaval continued to pour out of Damascus, the usual signs were ab sent. In fact, the supposed new strong man, Defense Minister Hafiz Assad, even showed up in public with the men he had reportedly overthrown, President Noureddine al Atassi and Baath Party Boss Salah Jadid. What...

Author: /time Magazine | Title: Syria: Debate, Damascus Style | 3/14/1969 | See Source »

Pressed to clarify this difference, Bourne's explanation was ambiguous. It goes without saying that Afro-American rhythm, "soul" rhythm, differs from "white" rhythm. Bourne's argument that just as soul rhythm can be heard in music, it can be applied to and seen in film was murky. He readily agreed that his thesis was vague, blaming it on the fact that the concept itself...

Author: By Lee A. Daniels, | Title: Black Film | 3/10/1969 | See Source »

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