Word: musication
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Dates: during 1960-1969
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...company, the Road. There was a time when the light show was a mere irrelevance, to be glanced at when one's attention wandered from the group on stage. The art form is much more highly developed today and the light shows these days are real accompaniment to the music on stage. The Road's members have been together for a year and they approach their lighting task as if they were a group playing along with the group on stage, trying to fit their light show to the music. One member of the group elegantly described the analogies that...
...Boston Tea Party thus combines excellent music from the biggest names in rock today with a sensitive and simulating environment. The crowds are hip, or perhaps too hip, because there is almost no dancing at the Tea Party. But then it's probably just as well that people listen attentively to good music...
...BUILDING and the whole of the main dance hall of the Ark, a newly opened club, is much more interesting than the Tea Party's box-like shape. Not surprisingly, the major emphasis at the Ark is on creating an elaborate and stylized fantasy environment, with the music as more a contributing than dominating factor. This effort at atmosphere is sometimes pursued a little too relentlessly but the overall result is nevertheless an interesting, sometimes fascinating, blend of modern multi-media techniques...
ALIDRICH has built his film around the talents of Miss Reid, who until her role in the play was a music-hall comedienne. She enjoys her lines, as when she tells Mercy Croft, who has been praising Sister George's "air of happiness" as she rides through Applehurst on her motorcycle singing hymns, "Wouldn't you be happy with 50 cc throbbing away between your legs...
...funny sex and blazing love-hate of Marcus's dialogue Aldrich has added his own version of warm sex in the evening at the club. The atmosphere is close, the music--four unspectacular girls in blues dresses--loud and pedestrian, but the women her are enjoying themselves. One gets the impression of lots of bodies and the human yearning for closeness satisfied in tune to the music without any of the deathly stillness and self-consciousness of the "explicit scene...