Word: musication
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Dates: during 1960-1969
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...hour voyage. It was the first of a series of 14 cruises the First Lady plans for children this summer. "I thought it could be put to better use," said she, dishing out soda pop and other goodies while a Marine Corps combo and a folk singer provided music. The only sour note came from a National Park Service director who remarked at one point that it would take 20 years to clean up the pollution they were gliding over...
Chicago's Ravinia Park music festival looked like an Eastern bazaar. Strewn around the stage one evening last week were 47 pieces of Western and Ori ental hardware: four full-grown timpani, four little timpani, three barrel drums, nine objects that resembled brass flower pots (they were Buddhist prayer bells), an array of bamboo, glass and wooden utensils, and lots and lots of gongs...
...Percussion and Orchestra. If the event had a distinctly Japanese flavor, that was understandable. The star of the evening was Solo Percussionist Stomu Yamash'ta, 22, who took on all 47 instruments, and the conductor was Seiji Ozawa. Even Composer Heuwell Tircuit had an Oriental background; now a music critic for the San Francisco Chronicle, he spent eight years as a percussionist with Japanese orchestras...
...instruments. At one point he flailed away with both hands, simultaneously blowing onto bamboo sticks, kicking the prayer bells and rubbing his body frenziedly against the gongs. After it was all over, the audience gave him a standing ovation. "I don't know that I like the music," commented one dazzled member of the Chicago Symphony Orchestra, "but the choreography was great...
Luckily for Yamash'ta and his fellow kitchen chefs, there is more creative music around for the forgotten men of the orchestra than ever before. Among composers of the past, Hector Berlioz was perhaps the first to pay much attention to the symphonic battery of drums. Later on, Stravinsky and Bartok proved that percussionists could do more interesting things than simply thump out a basic rhythm. Nowadays such avant-gardists as Pierre Boulez, John Cage, Luciano Berio and Karl-heinz Stockhausen treat the percussionist as a performer with rights (and responsibilities) equal to any other soloist...