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Word: musication (lookup in dictionary) (lookup stats)
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...some ways, this was a revolutionary development; the chords of bluegrass and southern blues were foreign to the ears of many of the young Northeasterners. At the same time, though, this was a return to the traditions of America’s rich musical past. “There was certainly intellectual interest in the music, but also just a, ‘Wow, you don’t hear this kind of music around Cambridge. You don’t hear people talking about coal mining or tenant farming,’” said Millie Rahn, Folklorist...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...These musicians made Club 47 their home,” said Betsy Siggins, Founder and Executive Director of the New England Folk Music Archives and former Director of Club Passim. A tight-knit community of musicians, music-lovers, and songwriters alike formed around Club 47 and the surrounding area, brought together by a shared love for music and passions about social issues...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...folk music scene in Cambridge was also unique in the way that it transcended racial and class barriers. When African-American performers came to Cambridge to perform back in the 50s and 60s, Cambridge was still a quietly segregated city. Instead of staying in hotels, artists stayed with Cambridge residents in their houses. According to Siggins, Club 47 filled a gap in American music history—it brought incredible talent and unique voices to the table that would otherwise go unheard. Folk music in Cambridge was also blind to class and social distinctions—that is, the clubs...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...There were folk scenes in other cities around the country and in Canada. In New York, for instance, it was more about using the music to make it. But in Cambridge, it was about the music.” said Rahn. Siggins agrees: “You could be from anywhere, but the music was what mattered...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...year is 2009 and you are a young Harvard student. The legacy of the folk music revival lives on in Cambridge today, if you know where to look. You can still tune in to WHRB’s “Blues Department” or “Hillbilly at Harvard”, and you can stop by Club Passim on any day of the week to hear some of the top up-and-coming performers...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

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