Word: musication
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During their stay at the GSE, Ma and the Silk Road Project hosted music workshops, performed with students, and discussed their new Silk Road Connect program...
...also emphasized a “deep parallel” between music and teaching in that both seek to make lasting impressions...
...myth is typically Greek, but it’s moral is hardly ancient. “The way Semele expresses her dissatisfaction with the relationship and the way Jupiter responds to that could happen in any age,” says music director Julia S. Carey...
...Victoria has staged it brilliantly, in that there are some darker themes that she brings out without losing the light feeling as a whole,” says Lily T. Kass ’10, who plays Ino. And though Eccles’ baroque music remains unchanged (it’s even played using period instruments), for Kass, this does not equal an aesthetic clash. “The music is what gives it its delight,” Kass says. “The music is what gives it its emotion...
...sentiment is echoed by the play’s Cupid, Robin W. Reinert ’10. “The rhetoric of the music,” she says, “brings out the rhetoric of the words.” The complementary arias that Semele and Jupiter share, for example, focus the story on their relationship and demonstrate the varied layers of emotion of their characters. This lack of simplistic dichotomies—both in terms of their relationship and in terms of the light and dark mixture as well—is another theme...