Word: musication
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...sandwiches. Goethe is porcelain statue. A suitcase is packed by Randi. A suitcase, topped with the woman on page eight’s ubiquitous white hat is packed by Bet. And by Sampel. These recursive moments extend throughout the book, resonating with the more formal structure of poetry or music, which so often relies on reiteration and redoubling. The lyricism of the text is ever present, and Christensen’s prowess as an experimental poet, known for her groundbreaking works in verse—in particular “It,” “Alphabet...
Matt Bellamy and Muse rarely preoccupy themselves with trivial concerns. You only need peruse the titles of a few of British rock trio’s most popular songs to get an idea of what their music is all about: “Time Is Running Out,” “Supermassive Black Hole,” “Apocalypse Please.” Once in a great while, as with their cover of “Feeling Good,” a curve ball might crop up, but for the most part, Muse sing about...
...Bird,” off 2000’s Grammy-winning “Whoa, Nelly!,” Furtado likely could have developed her career solely around her vocal talent and pop style. But in 2003, Furtado chose to abandon pop in favor of less radio-friendly folk music on the tepidly received “Folklore.” For her next album, she tried another route, that of the R&B singer. Collaborating with Timbaland for a series of hip-hop tracks, including the chart-topping “Promiscuous,” Furtado regained star status...
...somehow hypnotic quality of even the book’s mangiest sections, it’s clear that Pynchon retains a deep affection for the genre even now. Similarly, his novels have always dabbled heavily in references to the pulp novel’s cultural siblings—rock music and monster movies—so, despite the seeming retreat into genre fiction, he maintains a continuity of style, if his substantive fingerprints are still conspicuously absent.Unfortunately, the rigid pacing and logical arc of the conventional detective story don’t quite jive with Pynchon’s classic...
...essence, with nearly $70,000 in prize money at stake. For this year's event, which runs Sept. 24 to Oct. 4, judges have chosen 165 designs from 10 countries, to be featured in 10 two-hour shows, each of which is a jaw-dropping theatrical performance. Dance, music, lighting, elaborate sets and of course the ensembles themselves attract a total audience of around 35,000. "WOW," says founder Suzie Moncrieff, "is a glorious rebellion against the mundane." (See pictures of Australia...