Word: musication
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...Putin in the wake of the conflict in the breakaway region of South Ossetia. On May 15, the chief of the Russian jury withdrew after he was spotted enjoying a caviar lunch with eventual winner Rybak in Moscow, potentially compromising his impartiality. (Read "Eurovision in Russia: Politics and Pop Music...
Having written his first musical at 15, under the tutelage of Oscar Hammerstein, Sondheim is frequently cast as the last of the genre's greats. But far from being a relic from a golden age, his work continues to gain new audiences and interpretations. This season saw major revivals of A Little Night Music in London and West Side Story on Broadway - where there's been at least one Sondheim show playing annually for the past five years. Add in smaller venues, there are hundreds - even thousands - of revivals of his shows in any given year...
Meanwhile, London is playing host to a Sondheim at the Garrick Theatre in the West End, where director Trevor Nunn is teasing out the nuances in A Little Night Music, Sondheim's 1973 adaptation of the Ingmar Bergman film Smiles of a Summer Night. Often performed as a light soufflé of a show, Nunn has turned the musical, which runs until July 25, into a Chekhovian meditation on desire and death. (See pictures of London...
...touch with something real." The song "Send in the Clowns" contains not just pretty lyrics, but musings perfectly pitched for the character of Desirée, a glamorous actress pushing 40 and facing what may be her last chance for love. "The cadence, the vocabulary, the incidences in the music, a pause he's written in" - all conspire to create minutely observed characters, says Nunn...
...first five days of Night Music rehearsals, Nunn had the cast speak - not sing - the lyrics. He found that, unlike the numbers in most musicals, they didn't stop the show, but rather carried it on, each song a little scene in its own right, deepening the characters while advancing the plot. "I approach characters like an actor approaches them," says Sondheim. "With the risk of only slight exaggeration, by the time I have written a score I know the book better than the author does. I've examined every word, and why [a character] says...