Word: musication
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...soundtracks, but “Ga Ga Ga Ga Ga” was, perhaps inadvertently, tailor-made for success in 2007 (The stripped-down rock thing worked great that year, just ask Radiohead). Six albums in, Spoon suddenly had consistent radio play and record sales, and more than just music critics realized that Spoon just might be the best American rock band...
...Spoon’s new album, “Transference,” as something of a reaction to that success. “Before destruction a man’s heart is haughty,” Daniel, quoting Proverbs, begins the album. With his penchant for writing rock music about rock music, the intention to step back a bit seems clear. And throughout “Transference,” the elements that made its predecessor an instant classic—horns, conventional pop structure, songs with more that two chords—are thrown out in favor...
...symposium will open with remarks from E. Forrest O’Connor ’10, president of the Harvard College American Music Association (HCAMA), and Deborah Foster, a Folklore and Mythology senior lecturer who helped adapt the department’s annual symposium to feature bluegrass music. Brown and her husband Garry West, co-founders of Compass Records—a record label that specializes in part in bluegrass music—will join scholars to discuss the roots of the genre. The day will culminate with an evening performance by Clint W. Miller ’11, Brown...
...jazz was a generation ago, American folk music is beginning—too late, as many enthusiasts insist—to be embraced and studied by the academic world. In that vein, “Fire on the Mountain”—a day-long symposium featuring world-renowned scholars and performers, including Grammy-awarding winning composer and banjo player Alison H. Brown ’84—aims to explore the roots, methods, and culture of bluegrass this Saturday in the Barker Center...
...Although this event follows the model of the past [Folklore and Mythology] events, it goes even further in its attempt to integrate the making of the music, including the construction of the instruments, and the scholarship that has investigated not only the musical form itself, but also its place in American social and cultural life,” Foster wrote in an e-mail...