Word: musician
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Dates: during 2000-2009
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...Memphis there must have been astonished cheers. Hayes had become the first African American to win a music Oscar (or, indeed, an Oscar in any category except for acting). But that belated recognition was less a harbinger of enlightenment than a blip on the rainbow radar. No black musician would cop another Oscar until 1985, when Prince was honored for the score of Purple Rain...
Jimi was just gorgeous as a musician. Joplin was for shopping for clothes and hanging out and laughing, and Jimi was for playing. He was an amazing musician, a wonderfully openhearted player. He never had a problem letting other people shine...
...headed by the fiery, free-spirited Berger and the more conflicted refugee from Queens, Claude. (A New York Times critic, quaintly, said the show reminded him of 1920s off-Broadway revues--"the bright impudence of The Grand Street Follies and The Garrick Gaieties.") The score by Galt MacDermot--a musician who was nearing 40, loved jazz and favored suits and ties, the straight man out in this band of hippie-artists--is more experimental than it usually gets credit for. In addition to the familiar anthems (Aquarius, Let the Sun Shine In), many of the songs are mere snippets, hewing...
Enter Eddie Vedder. He was living in San Diego, fronting an all too fittingly named band called Bad Radio. A musician friend gave him a cassette marked simply stone gossard demos '91 and told him the guitarists on the tape were looking for a singer. Vedder listened to the tape, then went surfing. Lyrics came to him. "Son, she said/ Have I got a little story for you." Vedder rushed back to his apartment, wrote three songs and recorded himself singing the lyrics over the melodies. Vedder sent the demo tape back to Seattle, where bassist Ament listened...
...view of his art. By the early 1960s, he had shorn himself of his reputation as a fire- breathing virtuoso, all flash and no substance. He began to deploy a wider, deeper repertory. The technique remained impeccable, but Horowitz made an effort to transcend his limitations and become a musician as well as a pianist. He succeeded as well as he could. He was not as cosmopolitan as his great rival Arthur Rubinstein, nor would he ever fool anybody into thinking he was Artur Schnabel, the apostle of German-style ''depth.'' The Columbia disks, all solo, are rife with puckish...