Word: musicianly
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Dates: during 1970-1979
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...their feet an instrument case usually lies open. Listeners offer what they can-a few coins, flowers, a can of beer, a potato. A drunk once astonished a Boston musician by removing his trousers and donating them. Best of all are the "silent offerings" (noiseless folding green). The average take is $5 to $10 an hour, but talent and a good location can raise that to $30 or $40, and occasionally more...
...Francisco's Grimes Poznikov, who plays trumpet from inside a 6-ft. canvas box and bills himself as the "automatic human jukebox," rates cities by numbers: 14 for Seattle, 22 for New York, and so on. The numbers are his estimate of how many minutes a street musician can perform before getting moved on for soliciting or creating a disturbance. Cops, like rain, are a prime occupational hazard. Boston Licenses its performers for $10. Other cities give the police wide discretion to act on complaints about noise, or to play music critic...
...straightforward and businesslike, a matter of careful reading of a score rather than impassioned urgency. Says Assistant Pops Conductor Harry Ellis Dickson: "He was a very unsentimental sort of guy, and it showed in the music." Yet Fiedler made himself into a national phenomenon. The best-known "serious" musician in America, he was also the bestselling classical artist of all time (over 50 million records). His "Evening at Pops" programs were consistently among the top-rated PBS shows, and one of the high points of America's Bicentennial was a thunderous performance of Tchaikovsky's 1812 Overture, conducted...
Fiedler seemed destined to be a musician. His grandsires were musicians in Europe (Fiedler is German for fiddler), and his father, two uncles and a first cousin were all members of the Boston Symphony Orchestra. Fiedler joined the orchestra in 1915 as a violinist. Eager to conduct, the suave young maestro founded a series of free outdoor Esplanade concerts that are now a Boston tradition. In 1930 he was named conductor of the Boston Pops, the symphony's spring series, and proudly held that position for half a century...
...spinning out stories to set the mood she wanted. "If I'd allowed myself to be told what to do," she says, "I'm sure somebody would have loved to tell me. But I wouldn't stand for it." That kind of stubbornness also gave the musicians a good deal of room to move. "She steps back and lets us play," says a back-up musician on her current sold-out club tour. "She knows what she wants and we like that. She's a good muscian. It's hard to believe this is really...