Word: musicians
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Dates: during 1950-1959
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...president of the largest local union of professional musicians (30,000 members), I naturally read with great interest your comprehensive review of the state of music in America. The one individual who has made this picture possible is the professional musician, and he is, as you point out, its worst victim. There should be a change in our copyright laws to permit the musician a voice in where recordings and other mechanical reproductions are used, and an equitable share of the profits therefrom...
Behind his Harold Lloyd glasses, Willson still looks much like the round-eyed boy wonder who packed up his flute at twelve and left Mason City for New York and a career as a versatile but erratic musician. At 19 he was good enough to play with John Philip Sousa, at 22 was playing under Toscanini with the New York Philharmonic. In 1929 he defected to radio, for the next two decades whipped up foamy musical souffles and sprightly chatter for such shows as Maxwell House Coffee Time, The Big Show. Along the way, he tried his hand at anything...
Bartok: Complete String Quartets (Parrenin Quartet; Westminster, 3 LPs). These six quartets were written over a period of 30 years, between 1908 and 1939. Even the earliest reveals a musician of size and depth. Impressively played, all reveal a dazzling ability to create new sounds about old torments, a gift for making strings do everything but talk. Sometimes, in the strange musical idiom Bartok invented, they seem to do even that...
...Thanksgiving service in a forbidding old brick building on a hill overlooking Glenwood, Iowa, a trim little man of 67 directed the well-drilled 30-voice choir. Conductor Mayo Buckner is a versatile musician; he sings bass, plays the violin, piccolo, clarinet, flute, bass horn, cornet and saxophone. Though almost entirely self-taught, "Buck" is good enough to have played in the town band. He is also a journeyman printer. His IQ of 120 is well above the national average. Yet for the last 59 years Mayo Buckner has been an inmate of Glenwood State School (for the mentally retarded...
...while conducting Don Giovanni in Cologne, he was so moved at the crash of trombone chords announcing the arrival of the statue for dinner with the Don that Klemperer spontaneously stood up and once again began conducting from his feet. He does not use a baton, and when a musician once complained about it, Klemperer shouted, "I cannot hold a baton. Nor could you if you had had a brain tumor...