Word: musicians
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Dates: during 1950-1959
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...William Rockhill Nelson and the National Gallery in Edinburgh. For Hurd, a classical-music fan, the Ellington assignment was his first brush with the world of jazz. He caught up with the Duke in San Francisco and spent the first two days trying to corner the elusive but affable musician. "Hi, Hurd. You're the portrait man. Well, fine. Excuse me, I have to see that cat over there," Ellington would say and fade away. But once the portrait was started, Ellington liked to pose as he held court for his innumerable friends in the artist's hotel...
...swinging improvisations, much of modern symphonic music has long seemed both sterile and inhibited. Composer Howard Brubeck, a college music teacher and brother of Pianist Dave Brubeck, wrote his Dialogues in an effort to un-inhibit things by wedding improvisation with formal music. Both the jazzmen and the symphonic musicians had some doubts about the project. "We can't memorize and play a piece we don't like the way a legit musician can," Dave said when he first heard Howard's plans. But he changed his mind when he heard Howard's fast-breaking, dissonant...
...Pierian, sophomore David Hurwitz gave sonata recital on May 11 in Adams Dining Hall. Topnotch violin playing in solid Hindemith and Beethoven works, despite an occasional uneven bowing. Intonation accurate, tone never forced. Molds beautiful lines with much care; has great insight into phrasing of the music. A real musician's violinist in the best Mischa Elman tradition. For my money, the finest undergraduate violinist here in at least ten years; has the stuff of which great fiddlers are made. Jonathan Thackeray his partner at the piano. Formidable technique, but tended to play too loud. Main trouble: his playing lacked...
...19th century acousticians, e.g., Helmholtz. Their theoretical discussions flashed through Baschet's teeming imagination and emerged as sounds-new sounds of otherworldly groans, melodious thuds and haunting echoes, which came from the vibrations of two metal spirals plus a plastic resonator. Baschet took his "sound" to a musician friend named Jacques Lasry, who proclaimed it "interesting." With Lasry's encouragement, Baschet has completed four nameless instruments, all of them already in their third incarnations, and plans to invent a score more...
...best white alto saxophonist," wrote French Musicologist Hugues (Le Jazz Hot) Panassie, "is a Chicago musician, Boyce Brown . . . He has voluminous sonority, a trenchant attack and a hot, mordant intonation." He got his first horn when he was 14, and he played in combos all over, even played at the Palace on a bill that included Eddie Cantor and George Jessel. In 1952 Boyce was working in a Chicago nightclub called Liberty Inn, and developed the habit of dropping into a nearby church in the early morning after work to listen to the cool music of the organ. Then...