Word: musicians
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Dates: during 1960-1969
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...pattern of a generation ago. Conductors traditionally rose through an arduous apprenticeship with provincial opera houses and orchestras, rarely surfacing internationally until they were in their 40s and 50s. "Mehta," says his friend Israeli Violinist Ivry Gitlis, "is one of the torches, a symbol of a new kind of musician." New York Concert Manager Jay Hoffman, 34, says, "Mehta speaks to my generation. He has broken out of the mold...
...performance "live all the time," in the words of Met Tenor Nicolai Gedda, who sings under Mehta in Carmen. Says Gedda: "He does not drag and he does not rush; he has the kind of pulse that is absolutely right." This is Mehta's essence as a musician: an instinct for the living pulse of a piece of music, along with a molten core of romantic feeling and a point-of-no-return commitment...
Zubin's father, Mehli Mehta, was Bombay's leading musician, a violinist who played dinner music at the Taj Mahal Hotel, in his spare time served as conductor of the Bombay Symphony. Little wonder, then, that Zubin says he was "brainwashed with classical music from the cradle." He had his own record player when he was two years old, later crouched wide-eyed in the corner during his father's lessons and chamber-music rehearsals. With his retentive memory and faultless ear, he was soon whistling Paganini caprices in the original key while riding his bike...
...peak of his form he stirs poetry, fire and steel into whatever he plays. At a time when most younger American per formers make their loudest noise in the flashier side of the repertory -Prokofiev, Bartok, Liszt and the more extroverted Chopin - Graffman has matured into a musician able to challenge Europe's best in the more substantial classical and early romantic repertory...
Approximately 20 minutes before curtain time, men and women in blue jeans and work shirts began walking slowly, slowly onto the curtainless stage of Paris' Theatre National Populaire. There they stood or sat, meditatively waiting. At 8:30, Indian Musician Nageswara Rao appeared, carrying his vina - a long, gourd-based stringed instrument, much like the sitar popularized by Ravi Shankar and Beatle George Harrison. For a quarter of an hour, the vina mewed and whinnied while no one moved. Then things began to come to life...