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This is the dress rehearsal, but so far nothing seems ready. The scene is unclothed, the lights are out, the curtains malcoordinated. And yet as the tensed wrist of the harpsichordist travels across the tuning pegs, as the organ's pitch is finally affixed, as each musician is gathered into place, one senses that the real setting of this opera is here fully assembled...

Author: By Jérôme L. Martin, CRIMSON STAFF WRITER | Title: Baroque Fixed in Giasone | 11/5/1999 | See Source »

...could be said that I am one of the earliest, and probably the earliest, music video producer/director in China. I didn't know anything about the industry at first, but at the time I was working with a musician friend, the composer and rock-star, Cui Jian, the Chinese counterpart of John Lennon. I was a huge fan of his music, and it was his wish that I help direct his video. I realized that the money that I made from these music videos could go toward funding my films, not a bad situation...

Author: By By TERI Wang, CRIMSON STAFF WRITER | Title: CINEMANIC | 11/5/1999 | See Source »

...first some background. Willis might be America's most musically unsophisticated rock musician. By punching a single pre-programmed rock track on his Tecnics H-100 keyboard and then changing chords with one finger, he sets up background noise for his uniformly structured songs, of which he has written at least 700. He's released 20 or 30 albums since 1994, most of them self-produced, though some appear on Jello Biafra's record label, Alternative Tentacles...

Author: By Benjamin D. Mathis-lilley, | Title: Fifteen Minutes: Sucking a Caribou's Ass?: An Evening With the World's Weirdest Rock Star | 11/4/1999 | See Source »

Although Rebecca S. Tinio '00, a violinist, said she was disappointed Stern didn't play, she said it was interesting "for me as a musician [to see] how he thinks about music and how he approached...

Author: By Rachel S. Weinerman, CONTRIBUTING WRITER | Title: Isaac Stern Imparts Love of Music | 10/26/1999 | See Source »

Still, Santana and Davis agreed that there was very little Santana needed to change. His lightning finger work and exquisitely formed fusion of blues, Hendrix-style guitar fireworks and Afro-Latin rhythms remain fresh. The key was coaxing a new generation of record buyers to discover a musician whose early hits are probably collecting dust in their parents' vinyl collections...

Author: /time Magazine | Title: Music: The Fire This Time | 10/25/1999 | See Source »

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