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Most of the opera, however, belonged to soprano Labelle, completely entrancing in the title role of Violetta Valery. After making her debut last year in BLO's Lucia de Lammermoor Labelle was named The Boston Globe 1997 Musician of the Year, and with good reason. Her vocal and stylistic range is almost unfathomable: in the course of roughly 10 minutes at the end of the first act, she goes from airy coquettish high notes to the wistful, delicate "Goodbyes" to the passionate lament of the "misterioso" theme that haunts the entire opera. She pulls off coloratura singing--that ornamented style...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Sumptuous `Traviata' Shines on a Grand Scale | 12/4/1998 | See Source »

...That's why I became a jazz musician. You can't really say you got a gig if you work on Wall Street...

Author: /time Magazine | Title: Joshua Redman | 11/30/1998 | See Source »

Perhaps the most abstract film of the four from the Ma'ale school was Hadar Friedlich's Fast of Words, an examination of the attempts of a writer, photographer and musician to spend an entire day without speaking. The remaining films were concerned with issues particular to Judaism, yet the issues were nonetheless resonant among even non-Jews. Yaakov Freedland's Fragments of a Dream set the archetypal figures of the willful: an army-bound son and the proud father unwilling to leave his violent homeland amid the Israeli-Palestinian conflict. The theme of self-sacrifice for the sake...

Author: NO WRITER ATTRIBUTED | Title: FILM FESTIVAL | 11/20/1998 | See Source »

Brother Dirk Ziff, a musician who played guitar in Carly Simon's band and is active in the fund, also happened to be one of the largest--if not the largest--single contributors to the Democratic Party and President Clinton's re-election campaign in 1996. Ziff, one of those invited to sleep over in the White House, gave $410,000 to the Democrats...

Author: /time Magazine | Title: Corporate Welfare: Fantasy Islands | 11/16/1998 | See Source »

...seems like the audience is asking the performer to please come back out and bow at least one more time while everyone is still inclined to put their hands together. This requires good timing and an excellent ear to judge the volume of the applause, two things every musician should have. How embarrassing it would be to come back on stage just as the applause is almost dead...

Author: By Patty Li, CONTRIBUTING WRITER | Title: Handel and Haydn Are Always in Style | 11/13/1998 | See Source »

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