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Since his beginnings as a self-taught musician, Ho has been pushing the boundaries of jazz, which he calls “quote-unquote jazz,” referencing the term’s origin as a racial slur. He merges African American music with Chinese opera and uses Duke Ellington-style swing in musicals and operas featuring female vampires, mythical monkeys, and now, green earth monsters. His music is arresting, indefinable, and unquestionably dramatic, aggressive in its motifs but always expansive in tone...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

Liberation is an important concept for Ho; his first original composition to be performed by the Harvard Jazz Bands was “Liberation Genesis,” which he created in 1975 as an already prolific undergraduate musician. It was also during his time at Harvard that he became a Marxist, which he still remains today. “I don’t consider myself a Marxist with a capital ‘M,’” he says. “I believe that it’s not a dogma, it?...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

...heart of the Cambridge folk scene sat Club 47, known these days as Club Passim. Thomas W. Rush ’63, Harvard alum and notable folk musician who came out of the Cambridge revival of the 60s, called it the “flagship of the fleet.” Club 47 boasted an impressive list of past performers including, among others, Joan Baez, Jackie Washington, the Charles River Valley Boys, the Jug Band, and Jim Kweskin. Many of these premier folk musicians played gigs at Club 47 during the year and then congregated at the Newport Folk Festival...

Author: By Rachel T. Lipson, CONTRIBUTING WRITER | Title: Club 47 Revisited | 11/19/2009 | See Source »

...using white privileges. He is mimicking suppressed minorities and earning money, attention and even respect," Noah Sow, a black journalist, academic and musician, said in an interview with the news website Tagesschau.de. Tahir Della, a spokesman for the Initiative of Black People in Germany (ISD), said Wallraff's methods hark back to the minstrel shows of the 1920s in the U.S. "[Those shows] came about because blacks weren't allowed to perform in clubs and theaters, so whites dressed up to caricature them," Della told the news website TheLocal.de. "Mr. Wallraff is using the same form, playing a role...

Author: /time Magazine | Title: Blackface Filmmaker Sparks a Race Debate in Germany | 11/18/2009 | See Source »

What you can’t tell from the campaigning: Hayward is a big fan of hip hop artist J Dilla, jazz musician John Coltrane, and composer George Gershwin. He has more than 50,000 songs in his music collection. When he’s not adding tunes to his colossal music library, Hayward serves as an active member in both the Institute of Politics and the Black Student Association. Within the UC, he is currently elected vice chair of Educational Policy, vice chair of House Life Issues, and a member of the 2009 Budget Cuts Task Force...

Author: By Maria Shen, CONTRIBUTING WRITER | Title: UC Election Profiles '09: A "Driven" Duo | 11/15/2009 | See Source »

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