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Hardened veterans of the nocturnal lifestyle seldom report such problems, and quite a few of them, like Tony Warren, claim they have drastically reduced their need for sustained periods of pillow time. Jason Hensel, 32, a Dallas magazine editor and musician, admits to occasionally daydreaming at work but otherwise has few complaints about a routine that others would find grueling. After putting in nine hours at his day job, Hensel rehearses with his band until 10 p.m. or so and then either heads out for nightclubs or settles in for a late night of DVD viewing. For Hensel, four hours...

Author: /time Magazine | Title: Sleep is for Sissies | 12/17/2004 | See Source »

...Ideally,” says Pasternack, “I’d find something that would allow me to unite all of my interests, and the only way I see that happening is if I become an experimental musician-slash-recycling collector, slash documentarian, slash also working for an international humanitarian organization...

Author: By Sophie F. Brickman, CONTRIBUTING WRITER | Title: Trash Talker | 12/16/2004 | See Source »

...musician known for his capacity to stray from audience expectations, the concert can be called nothing short of an intensely pleasurable retrospective of Dylan’s greatest hits and most captivating recent pieces. The 14 song set, plus unforgettable encores of “All Along the Watchtower” and “Like a Rolling Stone,” combined a perfect balance of old and new Dylan, including five from the most recent album Love and Theft (2001), as well as recognizable classics such as “Forever Young?...

Author: NO WRITER ATTRIBUTED | Title: Concert Review: Bob Dylan | 12/3/2004 | See Source »

Shouts of “Make way! Moses is here!” filled a restless crowd as legendary musician Bob Dylan closed off his College tour last night jamming in front of a sold out audience of Harvard undergraduates and Cambridge residents...

Author: By Katherine Chan, CONTRIBUTING WRITER | Title: Dylan Performs for Sold-Out Crowd | 11/22/2004 | See Source »

Charlap himself is coming into bloom these days, after years of paying his dues as a musician's musician. His deepest ardor is for the works of classic songwriters like Cole Porter, George Gershwin and Richard Rodgers--the so-called Great American Songbook. In the annals of composition, he maintains, "these songs represent a new blueprint for a truly American style. They will always be vital and au courant, as timeless as Beethoven." Over the past few years, with his trio mates, Peter Washington on bass and Kenny Washington (no relation) on drums, Charlap has built on that blueprint...

Author: /time Magazine | Title: Music: Getting Down Deep into It | 11/22/2004 | See Source »

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