Word: musics
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Dates: during 1920-1929
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Seven years ago the smart and sprightly Russian Bat flapped over U. S. cities with tempestuous and most merited éclat. As each number was introduced by the droll, Cheshire-cat-faced Nikita Balieff, an ticipant audiences rocked with a foretaste of merriment which always followed. The music of the "Parade of the Wooden Soldiers" penetrated every stratum of U. S. society. Not to have seen the "Wooden Soldiers" or "Katinka" or later "Katerina" was the height of rusticity or indifference...
There were three reasons. Each act was clipped short, the curtain falling just before the audience had reached the climax of enjoyment. Second, the music was exuberant, explosive, punctuated by the hearty (not dainty) shrieks of pretty feminine performers. Lastly, there was a transcendent originality. Two years ago, even one year ago, this magic quality lingered on. Last week, however, it was seen to have finally evaporated, a fault all the more glaring because every number in the present program is new, in the sense of not having been shown before...
Almost all the "new" acts are shoddy reach-me-downs from former successes. They are not clipped short before they begin to pall. The music is a damp package of the old fireworks. Several of the set tings, notably "The Celebrated Popoff's Porcelains," are direct steals from such past Bat Theatre triumphs as the "Dutch Platter Porcelains...
...site, whereas in Chicago, President Samuel Insull let nothing interfere. In consequence when the Chicago opera ended its home season last week, it ended also its residence in the Auditorium which 40 years ago was dedicated by President Benjamin Harrison and Vice President Levi P. Morton, with incidental music by Adelina Patti. Romeo et Juliet had been the first opera, with Patti as Juliet, and Romeo was the valedictory last week, with Edith Mason for heroine. Next season will open a proud 42-story building on Wacker Drive...
...Manhattan, a Commonwealth Opera Association met to promote popular-priced performances through dollar membership subscriptions. Music in Manhattan now, complained Charles Edward Russell of the Association's advisory board, is "standardized, systematized, somewhat trustified and the exclusive possession of the economically fortunate...