Word: musics
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Dates: during 1940-1949
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...Forthwith, friendly "Charry" Munch (pronounced Moonsh) won their respect as a musician, and their love and obedience as a man. This week, as he rehearsed his 105 musicians for his eighth series of Boston concerts, he could work with confidence that most Bostonians had succumbed to him, man and music, just as his orchestra...
...Genius in the Pot? To most U.S. musicians and music lovers, the ascension of Charles Munch to the nation's most prestigious musical throne had come with the jolting surprise of one of Hector Berlioz' sudden bursts of brass...
...name of Munch was not big in U.S. music. He had visited for the first time in the 1946-47 season, to be guest conductor in Boston, New York, Chicago and Los Angeles; in 1948 he had conducted the French National (Radio) Orchestra on its U.S. tour. Although he had won respectful notices from critics, his name had seldom appeared in the calculations of the pundits and prophets who wanted to call the tune on Boston's new conductor. From the time 75-year-old Conductor Serge Koussevitzky announced that he would abdicate...
...Flat Stomach. When Bostonians heard Munch conduct their orchestra on his 1946 visit, his music had shocked some. It seemed more violent and more rushed, particularly in the allegro movements of Beethoven symphonies. But one man was not at all surprised when Munch was asked to succeed Koussy. The New York Herald Tribune's Virgil Thomson had heard Munch conduct 15 years before in Paris and had prophesied that he would eventually lead the Boston. Why? Says Critic Thomson: "He was a natural Boston conductor, flat-stomached and grey-haired, and he created hysteria, particularly in the female over...
...Essential Condition. If Boston was pleased with Munch, there were also reasons why Munch could be pleased with Boston. As U.S. cities go, it had a long tradition of serious music: it had celebrated the end of the War of 1812 with performances of portions of Haydn's Creation and Handel's Messiah. Boston also boasted a club unique in the U.S. Ten or twelve times a year, as their ancestors have done since 1837, members of the exclusive Harvard Musical Association go to their paneled clubrooms on Beacon Hill for a smoker of chamber music, beans, beer...