Word: musics
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Dates: during 1970-1979
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Tusk contains not only some of the most infectious pop music of the year, but also some of the most adventurous. If there was a model or precedent for Tusk, it would seem to be the Beatles' "White Album," an equally ambitious and wide-ranging effort that attempted to bend old forms into new directions. There is much familiar Fleetwood material on Tusk, including the gossamer ballads of Stevie Nicks and the afterglow love songs of Keyboard Player Christine Me Vie, who has one of the easiest and sexiest voices in anyone's neighborhood...
...year-old virtuoso is an outspoken opponent of energy waste and pollution: to help eliminate both, he is currently test-riding a battery-powered bicycle. Meanwhile at the 31st Frankfurt Book Fair last week, Menuhin received the booksellers' peace prize of $14,000 as "a man who understands music as a medium for peace." Using the medium as a measure of his appreciation, Menuhin rewarded his audience with the chaconne from Bach's Partita in D Minor...
...both Russians and Americans, the supreme symbol of the Soviet Union at war was the "Leningrad" Symphony, Dmitri Shostakovich's Seventh. In 1942, when Arturo Toscanini and the NBC orchestra performed it on radio for the first time in America, the New York Times music critic remarked that "the ballyhoo has never been surpassed in history for the scope of the publicity and the distribution of the music." In the U.S.S.R., performances of the symphony were said to have exerted "a profound influence on the psyche of the Soviet people in the struggle against the Nazi invader...
This was the time of the destruction of Jewish cultural life in the Soviet Union and the arrest of leading Jewish intellectuals. A purge of the arts was under way that mortally threatened those writers and composers who had survived the Great Terror of the mid-'30s. In music the principal target was Shostakovich. Though laden with Stalin Prizes, he was now being termed the author of "un-Soviet, unwholesome, eccentric, tuneless" works. He knew what to do. In 1936 he had nearly lost his life after receiving a public "whipping" for an opera that had displeased Stalin. Following...
...Boris Godunov was meant to dramatize the opera's message that an "antipeople government" is "inevitably" a criminal government. The composer believes that the score makes the point even more clearly than the Alexander Pushkin play on which the libretto is based. "For me, the abstract art-music-is more effective," he says...