Word: musics
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Dates: during 1980-1989
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...think there is one theme. Like all ages, it is a time of angels and moping dogs -- after Ralph Waldo Emerson's lines: "It seems as if heaven had sent its insane angels into our world as to an asylum, and here they will break out in their native music and utter at intervals the words they have heard in heaven; then the mad fit returns and they mope and wallow like dogs...
...from Ipanema swayed the world to the sinuous sound of bossa nova. Now a new generation of musicians is discovering the old seducer: Brazil. Some of the world's leading pop stars -- David Byrne, Paul Simon and Peter Gabriel among them -- are intent on weaving novel strands of ethnic music into a fresh, global sound. They have been flying down to Rio for inspiration and coming back laden with rhythm...
...appear, along with Rei Momo, Byrne's solo album based on Brazilian and other Latin song styles. Simon is planning to include Brazilian- inspired material in his next album, scheduled for release in early 1990. Gabriel, whose new Real World label focuses on non-Western music, based his score for the film The Last Temptation of Christ on the sounds of Brazil and Africa. Brazil's influence is also acknowledged by Roberta Flack on her late- 1988 album Oasis. "Under a warm Rio night/ We danced on the edge," she coos in a number dedicated to Brazilian singer-composer Djavan...
...state of Bahia. There, in the Brazilian equivalent of the American Deep South, African tribal dances are blended with European sounds to create the insistent samba; the afoxe, associated with the Afro-Roman Catholic Candomble religion; and the chugging, accordion-dominated forro, which blends African rhythms with Portuguese folk music. Says U.S. guitarist Arto Lindsay, co-producer with Peter Scherer of the latest album by an eminent Brazilian performer, Caetano Veloso: "In Bahia and the north you find the purest African rhythms, some of the most innovative in Brazil." Notes Byrne: "Bahia may be to Brazil what New Orleans...
...their strong rhythmic foundation, Brazil's composer-performers add spicy blends of European melodies and unique harmonies. Maria Bethania, 43, first achieved prominence in 1965, when she substituted for the ailing star of a Rio musical. Her dark, husky voice shares a certain androgynous quality with those of some of Brazil's other top performers. Bethania's brother, Veloso, 47, is -- along with Gilberto Gil -- one of the main exponents of tropicalismo, the buoyant music of the student generation that emerged during a period of military dictatorship after 1964. That style advocated the rights of blacks, reintroduced strong Afro-Brazilian...