Word: musics
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Dates: during 1990-1999
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...concert began with a solo set by Dylan's more melodiously-voiced counterpart, Paul Simon. On the whole, Simon's live performance did not live up to his recording reputation. His style, which seems to border on world-music kitsch, was very treble emphasized and percussion heavy, assuming an almost flippant, less weighty framework. Beginning his set with many of his earlier works, especially many he originally recorded with Garfunkel, his renditions of "Mrs. Robinson" and "Bridge over Troubled Waters" were unconvincing testimonies of his solo career. But the latter-day Simon finally came out during less-instrumental tinged moments...
...pleasure to welcome...Mr. Bob Dylan!" The crowd roars in fernetic expectation. This was a surprise, partly because, for the greater part of the summer, I have been surrounded by anti-Dylan enthusiasts and militants. I was afraid that my defense of Dylan could be likened to a musical Steward's Folly (but let's just remember how much oil was found in Alaska). Although, in my childishly ego-centric way, I could never understand why Dylan's music is so disagreeable; I had still assumed that most of the audience was there to see Simon, not Dylan...
...Unlike his controversial Royal Albert Hall concert of 1966 during which an audience member denounced Dylan, who was "going electric", as "Judas!", a traitor to his folk roots; this opportunity was never even given. Here was a man who didn't give a damn what you expected from his music. He can afford to do this because he is that damn good...
...Ferrer, and you can imagine the rakish young Cuban singer, decades ago, strolling the elegant boulevards of Havana. It was there that Ferrer first emerged as one of the acclaimed masters of son, the rural folk style that spawned mambo and salsa. Those were the golden days of Cuban music, before the revolution left many of the great artists of Ferrer's generation scraping to get by. Despite his skill, including a way of making the traditionally slow-moving ballads sparkle with life, Ferrer suddenly became an unwanted relic of the island's precommunist past. The rustic sound he loved...
This hip-hop duo, like many other hard-core rap groups, writes songs about urban violence, street bravado, felonious gunplay, "baby fathers" and friends slain young. The music beneath Mobb Deep's lyrics, however, is oddly restful. The contrast between the jagged lyrics and the smooth rhythms that propel them gives the group's new record a thoughtful quality and a hard-to-resist listenability. One feels immersed and insulated...