Word: musics
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Dates: during 1990-1999
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...film heap. And in recent years Warner's highly profitable television business even eclipsed the movie studio, creating such TV hits as ER and Friends and the rapidly rising WB network. Along the way they took the reins of Time Warner's vast $4 billion music empire following one of the brutal power struggles that periodically boiled up after Time Inc. merged with Warner Communications...
...Detroit-born Carter, who studied classical music as a child but switched to jazz in high school, has played backup for some of the top performers in jazz, including Wynton Marsalis. In this album she steps into the spotlight. Her sound has echoes of the jazz-violin greats of the past: the melodic instincts of Stephane Grappelli, the sweet swing of Stuff Smith...
...Rhythms of the Heart, Carter creates music that is wonderfully listenable, probingly intelligent and, at times, breathtakingly daring. On one track, Papa Was a Rollin' Stone, she cheekily combines classic soul and traditional jazz, with Cassandra Wilson supplying the vocals. It's the high point of a CD filled with peaks: voice and violin, darting and duetting, taking the listener into the future of jazz...
...compress the ultimate nightmare into an indelibly fearful fable about a troupe of traveling players who miss the last train out of Nazi Germany. Otis Cook gives the performance of a lifetime as a lewdly smirking stranger dressed in death-camp gray who meets them at the station. The music is by Hans Krasa and Pavel Haas, two composers who died in Auschwitz; and the set, by Sendak, has the jarring simplicity of a bedtime story gone terribly wrong...
...human ear. This fact is all-too obvious to Moby, one of the most important figures of the early-90s dance scene, a controversial artist who has always stretched the boundaries of techno. On his latest album, Play, those boundaries are completely obliterated in a sea of soulful music that's eerily timeless and breathtakingly beautiful...