Word: musics
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Dates: during 2000-2009
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...Everything seems to go wrong once I stop drinking,” he bashfully declares at the song’s opening. He’s one of the decade’s finest punk rock ne’er-do-wells, and his music reaches its maximum potential when he embraces this role rather than rejecting...
Scenery in the movie consists of a hotel room, a desert, and a car. Also, a cave. The soundtrack, like the storyline and Grant Heslow’s direction, is forgettable, consisting of predictable tone music and a single use of “More Than a Feeling.” To be fair, the film does have several good lines (Clooney to a fleeing Iraqi, before hitting him with a car: “It’s okay, we’re Americans—we’re here to help you!”), delivered with...
...Momentum.” Schreier’s work will feature live piano accompaniment and inventive costuming. In a similarly unique fashion, Koch—who performed with HBC throughout her undergraduate career and currently directs her own dance company—has collaborated with electroacoustic specialist and Harvard Music Professor Hans Tutschku to create a piece tailored to Tutschku’s original, HBC-commissioned score...
...incredibly lucky to be paired with [Tutschku],” Koch says. “He’s a really responsive composer, so I wasn’t just creating a dance to music that already existed...
Stoller-Lindsey set her work to three pieces of music by percussionists Tigger Beford and Peter Jones, whose contemporary dance compositions highlight funky, eccentric sounds from prepared piano. “My [choreography] is not that balletic, though a lot of my dancers are ballet-trained,” says Stoller-Lindsey, whose choreographic background is rooted in modern dance. “It’s theatrical, gestural, and athletic...