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Soprano Schwarzkopf's U.S. debut had been delayed until she was 37, and her first visit was limited to a single recital. One reason went back to prewar Germany: in 1935, as a 19-year-old music student in Berlin's Hochschule fur Musik, she became a leader in the Nazi Studentenbund. Thereafter her career blossomed; throughout the war she was a favorite of German audiences. Eventually, after the blanket denazifications of 1946, she returned to the musical stage in Vienna...

Author: /time Magazine | Title: Music: Delayed Debut | 11/9/1953 | See Source »

...program, Lotte Lehmann gave them an encore, Schubert's tribute to music itself, An die Musik. Before the last note, her voice broke and she covered her face with her hands...

Author: /time Magazine | Title: Music: It Is Time | 2/26/1951 | See Source »

...later years, Wagner was one of Germany's prime anti-Semites. He wrote Das Judenthum in der Musik (Judaism in Music), in Oper und Drama attacked a Jewish composer-Giacomo Meyerbeer (born Jakob Beer, of a Berlin banking family). But in the 18405, his letters now reveal, Wagner licked Jewish boots and liked it. Meyerbeer, whose brassy, spectacular operas influenced Wagner's early work, was a power not only in Berlin but in Paris, whose musical tastes he formed...

Author: /time Magazine | Title: Music: Wagner, Bootlicker | 11/3/1941 | See Source »

...program will be "Pereti Autem", by Mendelssohn; "Glorius Apollo," by Webbe; "Glee: To all you Ladies," by Holst; Brass Music from the tower of the Memorial Church played by members of the Pierian Sodality of 1808; "Turn Musik," by Gabrielli; Elegy, "Come Shepherds, we'll follow the hearse", by Arne: English folk song, "The Turtle Dove", arranged by Vaughan Williams; Two Choruses from Patience, by Sullivan; and "Harvard to the Harvard Team...

Author: NO WRITER ATTRIBUTED | Title: Clee Club Gives Second Yard Concert on Steps of Widener | 5/19/1941 | See Source »

...Naziland, music by Jewish composers, performances by Jewish musicians, are strictly verboten. So that good Germans may know what music and which musicians to avoid, a Nazi Who's Who of Jewish musicians has been compiled. Its title: Judentum und Musik mil dem ABC jüdischer und nichtarischer Musik-beflissener. The third edition of this witching work, which last week reached U. S. shores, showed Nazi inquisitors to be more thorough than accurate. Among the prominent "Jewish" musicians listed: Chicago's retiring Yankee Composer John Alden Carpenter; rotund Danceband-leader Paul Whiteman; lusty, kewpie-faced Wagnerian Tenor...

Author: /time Magazine | Title: Music: Nazi Index | 6/27/1938 | See Source »

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