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KEVIN KLINE had no trouble getting COLE PORTER under his skin for this summer's De-Lovely, a movie musical about the master tunesmith's complex relationship with his wife, muse and taskmistress, LINDA LEE PORTER, played by ASHLEY JUDD. Kline--who has experience with sexually ambiguous characters from 1997's In & Out--portrays the composer as a "lover of wine, men and song," he says. He sang 95% of his tunes in the film live rather than lip-synching over a score. "These songs are part of our musical collective unconscious," Kline says. "Or our Muzakal unconscious; we hear...

Author: /time Magazine | Title: Making Over The Porters | 6/7/2004 | See Source »

...memory, the screening times of three other official selections had to be changed at the last moment. And please try to ignore the melancholy fact that, though the Cannes jury gave four of its eight prizes to Asian directors and actors (including the Best Actress award to frequent Wong muse Maggie Cheung), none of them went to the festival's finest film...

Author: /time Magazine | Title: In the Mood for Rapture | 5/24/2004 | See Source »

Many pieces at the Louvre figure prominently in the book. So travel operator Paris Muse offers a popular Da Vinci Code museum tour...

Author: /time Magazine | Title: The Great Code Rush | 5/24/2004 | See Source »

After I first heard the song “Unintended” by Muse last year, I was in a frenzy to find as much Muse music as I could. After going through 2001’s Origin of Symmetry breathlessly, I braced myself for disappointment from their new album, Absolution. But to my great shock, I’m not disappointed at all. Each track is pure Muse, the beautiful voice of Matt Bellamy flows over pounding piano chords and arpeggios, drums and fantastic bass rifts. “Sing for Absolution” is one of the best...

Author: NO WRITER ATTRIBUTED | Title: New Music | 4/23/2004 | See Source »

...everyone from John Sayles to Steven Soderbergh—is a must see for all ardent cinephiles. As always, Cassavetes braces his films in an emotional reality reminiscent of Italian neo-realism and the French new wave salted with American disappointment. This time he wrote and directed his muse, Gena Rowlands, to an Oscar nomination for her Woman in a emotionally fraught relationship with Peter Falk, trying to get a handle of what she’s allowed to be in the modern world. 7 p.m. The Harvard Film Archive...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

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