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...kids--the college calls back old grads, who work on a project basis. One is Bill Gayten, a cutter for Galliano. While novice tailors listen, he talks about the designer's famous bias-cut dresses, many of which he has worked on. Galliano demands toiles (patterns) not of traditional muslin but of the same fine fabric the gown will be made of, and will not look at a garment in progress unless it is on a live model. It's a long, painstaking, expensive process...

Author: /time Magazine | Title: FASHION: ON THE CUTTING EDGE | 11/11/1996 | See Source »

...example is the collaborative piece by Hillary Leone and Jennifer Macdonald, which fills a whole room. It consists of a few canvases (actually bed frames covered with muslin) adorned with elegant arabesques burned into them with hot irons. The branding irons, 55 of them, hang from the ceiling. The squiggles they produce, one learns from the wall label, are in fact Gregg shorthand symbols, by which means the artists have filled the canvas with replications of multiple-choice answers from a survey on sexual behavior -- "More than once a week. Once a week. Two-three times a month . . ." Rarely...

Author: /time Magazine | Title: Art: The Whitney Biennial: A Fiesta of Whining | 3/22/1993 | See Source »

...dance, skip and even smile for Kelly's semiannual follies. He dismisses another candidate offhandedly: "Tell her she can do my show if she stops doing drugs." Meanwhile, the designer darts in and out of the sewing room, nipping a tuck here and pinning a fold there on a muslin pattern. Later, salesmen unload briefcases of fabrics. Kelly picks up a purple knit. He smells it. "Combien?" he inquires. The answer: 125 francs ($20) per meter. "Why so much?" Kelly challenges. The bargaining is serious: Kelly, whose dresses run from $395 to $2,200, builds his business on providing...

Author: /time Magazine | Title: An Original American In Paris: PATRICK KELLY | 4/3/1989 | See Source »

...There is his group portrait of the Osuna family, who held freethinking tertulias (discussion groups) in their ducal palace to which Goya came, along with the best writers and wits in Madrid. From the Countess of Chinchon, pregnant, dithering and infinitely vulnerable in her misty white mass of sprigged muslin, to the level, sagacious gaze of his friend the art collector Sebastian Martinez, Goya left on record an extraordinary sequence of human presences...

Author: /time Magazine | Title: Art: Goya, A Despairing Assault on Terminal Evil | 1/30/1989 | See Source »

Among the projects are a series of student paintings in the Science Center, an exhibition and auction in Adams House of work by Boston area artists, and an environmental painting using muslin and the trees in Harvard Yard...

Author: By Allison L. Jernow, | Title: One Student's Senior Project Is AIDS Benefit | 2/8/1986 | See Source »

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