Word: mussolini
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Dates: during 1950-1959
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Milan's Corriere has always been profitable (1956 net: "more than $1,000,000"), made money even after the government drove out thunderously anti-Fascist Editor Luigi Albertini in 1925 and enlisted the paper in Mussolini's journalistic claque. The present owners of the conservative Corriere are three aging, textile-millionaire Crespi brothers (Mario, 78, Aldo, 73, Vittorio, 62). The Crespis, who took control of the paper when Albertini left, say that their only interest in Corriere is "to maintain its high traditions." Among the traditions: good pay, short hours, and a respectful attitude toward newsmen* that...
...Zarathustra, the prophet-poet who looked piercingly about his Victorian world and pronounced all its accepted truths a sham. But his sister zealously vaunted her status as the Nietzsche Archive's high priestess, fostered the myth she had largely created, lived to transmit her priestess' blessing to Mussolini and Hitler. Nietzsche, Hitler proclaimed, was "the pioneer of National Socialism...
...family, which traces its history to 12th century Genoa, owner (in Rome's Palazzo Doria) of one of the world's most celebrated private galleries (included: Velásquez' portrait of an earlier Pamphilj, Pope Innocent X); of arteriosclerosis; in Rome. A bitter antiFascist, who condemned Mussolini's war on Ethiopia, he suffered 15 years of mistreatment by Fascists, became wartime "underground governor" of Rome and, appointed by the Allies, the city's first postwar mayor...
...dousing the flames), he picked up many a real-estate bargain from cash-short owners in the course of cutting through the Duce's grandiose streets and squares. By 1937 Vaselli was known as the "garbage baron" and "asphalt king." And when typhus broke out again in Rome, Mussolini blamed him. After a vast check, Vaselli took Mussolini early one morning to a Roman creamery. There the Duce saw that the milkmaids, bent on beautifying their skins, were taking baths in the milk before it was bottled. The furious Duce rained blows on the girls' heads, ordered their...
...pawns in a complicated game between two totalitarian pretenders for world domination." So wrote ex-Communist Novelist Arthur (Darkness at Noon) Koestler after he came home from Spain's civil war. As CBS's corrosive documentary, War in Spain, made grimly clear, the pretenders were Hitler and Mussolini on one side and Stalin on the other, and the game that divided a nation against itself was a grisly dress rehearsal for the greatest war in history. The "pawns" flashed tragically across the screen in confused images, but it had been that kind of war-lightning offensives, confusions...