Word: mussolini
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...vehemently accusing Democratic lawmakers of blindness to the Communist threat. It was Gingrich who fomented the House Ethics Committee's investigation of O'Neill's successor, Jim Wright of Texas. In a characteristically antagonistic oratorical flourish, Gingrich accused Wright, as well as other Democratic leaders, of having a "Mussolini-like...
...particular service by exhuming the impressive work of Mario Sironi (1885-1961) and, at long last, intelligently describing the relations between Italian modernists and Fascism in the 1920s and '30s. The pieties of art politics, up to the present, have tended to discourage this, since the arrival of Mussolini was greeted with rapture by so many leading artists and intellectuals. The Fascist rhetoric of dynamism and machine efficiency meshed with (and was partly inspired by) that of futurism; while the Duce's promise of a renewed empire, a "third Rome" that would replay the Augustan past, had immediate appeal...
...best of the "classicists" was Sironi, whose reputation as an artist has badly suffered from his devotion to Fascism: he stayed loyal to Mussolini right through to 1943. The figure on horseback in The White Horse and the Pier, 1920-22, draws on Italy's long history of equestrian hero images and may refer to the Duce. Nevertheless, as painting, Sironi's dark, emphatically delineated compositions, with their massive figures and Brunelleschian weight of architecture, are often quite superb, a reminder that you cannot necessarily judge an artist by his or her political ideology...
...about Winston Churchill a hundred years from now? The question is pertinent -- inescapable, in fact, because nearly a quarter- century after his death, we may remain too close to make an accurate judgment. Of all the larger-than-life figures of World War II -- Roosevelt, Stalin, Hitler and Mussolini -- Churchill remains the hardest to assess. Rarely has a great leader been so often right. Or so often wrong...
...film, which Director Abuladze calls a "tragic phantasmagoria," uses allegory, fantasy and surrealism to evoke the terror of a totalitarian system. His central character is Varlam Aravidze, the mayor of a provincial town. Varlam combines Stalin's close-cropped haircut, Hitler's mustache and Mussolini's black shirt to embody the image of a universal tyrant. Although the setting and time are undefined -- secret police appear alternately as medieval knights or spear-wielding Roman centurions -- there is no doubt that the real subject is Stalinism...