Word: musts
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Dates: during 1950-1959
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...there has been no testimony; two committee investigators have merely talked to Clark about his business affairs. But even before the subcommittee took a hand, ABC confronted him with a significant decision: he must get rid of his outside music interests or else quit TV. The companies involved: Swan Records, Sea Lark Enterprises, January Music, Arch Music. (Entrepreneur Clark also has an interest in Drexel Productions, a TV packaging firm, and may have connections with Jamie Records, other record companies, a talent agency, a record-pressing plant, and a production company named Clarkfeld.) Faced with the ABC ultimatum, Clark decided...
...Defense Education Act, encourages needy potential schoolteachers and superior students of science and language. This year the Government is lending $30 million to 1,365 schools (which add $1 for every $9 of U.S. money) to aid about 120,000 students. The trouble is one small clause: every borrower must not only 1) swear allegiance to the U.S., but 2) file an affidavit that he "does not believe in, and is not a member of and does not support any organization that believes in or teaches, the overthrow of the U.S. Government by force or violence or by any illegal...
...With its massive exposed beams rising in tiers, ceramic Zen symbols emblazoned on its walls, and a rock garden in the tradition of the Ryoanji Temple, it strikes an unmistakably Japanese note in the modern idiom of reinforced concrete. As well as recalling the past, Tange believes his building must also "make an image of our new social structure." For Tange this means the new democracy in which citizens are now invited to become part of the government. To welcome them, he has left the garden open for concerts, set benches under the raised stilts, put promenades and a tearoom...
...emergence into the limelight, the Massachusetts Institute of Technology invited him this fall to lecture as a guest professor. In Cambridge last week, Tange's thoughts were still in Japan; he was worried that too many traces of the past may remain in his work: "Tradition," he says, "must be like a catalyst that disappears once its task is done...
Corbu was cozy about his plans for the center, borrowed a line from Wright: "It must grow from the inside out. The concept must be biological, not static. A beautiful seashell is not a façade; it is a shell. This is the essence of architecture." This left Harvard wondering whether it was getting a structure as beautiful as a conch or as homely as a clam. But as it would be his only showpiece in the U.S., Corbu could be counted on to make it impressive...