Word: musts
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Dates: during 1950-1959
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...have been waiting for these long years. The Bick has ceased to be the symbol of the locusts' ravage, the turtles' quiet call. And swiftly they gathered back where the butterscotch puddings stand stacked in gleaming rows, where the untoasted English lies moist and soft in purple racks. We must do this slowly, they said, but inexorably...
Outmoded design drops the efficiency of the Central Kitchen greatly. For example: approximately 2,000 gallons of milk are consumed daily in the Central Kitchen and its five connected House kitchens. However, there is no cold storage area large enough to hold this amount of milk, so deliveries must be made daily. Much manpower is wasted in cross-haulage between various storerooms--delivered foods may stay in one cooler for two or three hours until the next shipment arrives and then must be shifted to one of the two other small cold storage areas...
...affair shapes up as still another indication of the inability of high-ranking track officials to cope with unusual situations or to acquit themselves properly in the public eye. If the A.A.U. suspends Delany, its decision must be regarded as the epitome of fatuousness and misguided puritanism...
...spare, subtle language of Webern's music must have seemed extraordinarily novel and refreshing to twelve-tone composers, while his concern for highly schematized structure seemed to be the necessary concomitant to an idiom so unlike Western music. The post-Webern school, as its name implies, has carried these methods a good deal further. There was ample evidence of the wide spectrum of this music at a concert held in Paine Hall on Mar. 5, devoted largely to the post-Webern representation at Harvard, which raised some hard questions about the aims and future of advanced music...
...affords his performers. While he may be mathematically precise at times, frequently he gives the pianist his head, allowing him to vary the written notes rhythmically or even choose notes of his own. In the shorter work he sets up a kind of game between the two pianists--each must follow a cue given by the other, and each has a certain number of alternatives for every cue. Wolff is writing for his performers quite as much as for his audience. In discussing this technique he does not refer to Western precedent, but talks about Hindu instrumental virtuosos, who play...