Word: musts
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Dates: during 1960-1969
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GREENPORT, L.I. Summer Playhouse. Adam and Eve face newlywed adjustments, a warrior must choose between his love and a tiger, and a chimney sweep is transformed into a movie star in The Apple Tree, three episodes with music by Jerry Bock and lyrics by Sheldon Harnick, the team who did Fiddler on the Roof...
...superlative and found a big one. "This," he announced, "is the greatest week in the history of the world since the creation." That seemed somewhat sweeping for a President who has instituted weekly religious services at the White House: in the Christian view, the birth of Christ surely must rank as a greater event in the world's chronology since Genesis...
Encumbered with a back brace from his 1964 airplane crash, Kennedy must have found it difficult to dive into the water, and the question is how strenuously he really tried. The tidal current was running at 1½ knots. Considering the physical circumstances, and Kennedy's description of his condition, there is some doubt as to how much credibility this part of his story carries. When the car was brought to the surface the next morning, a purse belonging to Rosemary Keough, Edward Kennedy's secretary, was found. This led to all kinds of speculation that Miss Keough might have been...
...world of commerce has sucked up religious life; Christ's passion is another pitch in American's long sales talk. The contradictions of salesman lie in the sinister meaning the history of capitalism has given to Luck 2:49. Christ, having been reprimanded by his parents for I must be about my Father's business?" A Catholic priest, spiritual consultant to Brennan's employer (each Bible salesman begin his talk wit "I'm from the church"), exhorts God to grant these good men "an abundant harvest." A salesman stands up and, an affirmation of fait, declares before the assembled conference...
...direct cinema style are stifling to all but the simplest ideas. Don't Look Back never gets us [pat one man's faltering sales pitch. The unreconstructed reality of direct cinema can give us only those dialectic contradictions observable from a single perspective; for dialectic and analytic insight we must look elsewhere...