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Word: musts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

MODERN BUREAUCRACIES, like modern factories, require workers who can be counted on to behave in certain ways. The bureaucrat must respect authority, be compulsively punctual, and conform easily to various standards of dress, speech and behavior. The bureaucrat's subservience to his superiors must be combined with an intense competitiveness in his relations with his peers. And most importantly, the bureaucrat must be motivated primarily by his desire for a reward (money, status, prestige) which is external to the work process itself. Like the industrial worker, the bureaucrat is useless to his masters unless he is economically "rational". This means...

Author: By David I. Bruck, | Title: A Proposal Concerning Exams | 4/28/1969 | See Source »

...Because adolescents are impulsive," Ross added, "we must take them seriously when they express suicidal intention in any form...

Author: By Michael B. Wallace, | Title: Student Suicide Increase Reported By Psychiatrist | 4/26/1969 | See Source »

...best finish which Harvard can hope for in the league is 4-2. But to do this, the stickmen must defeat Yale and Dartmouth, as well as Princeton. The game with the Tigers is May 3 at Princeton...

Author: By Bennett H. Beach, | Title: Stickmen Battle Weak Williams | 4/26/1969 | See Source »

...highly stylized drama of personal change. Its script is full of out-of-place lines and suggestive unresolved themes--the black cat as evil's embodiment, Joan Allison's actions under a narcotic. In another director's hands their non-resolution would be irritating; for Ulmer they must remain suggestions. Only thus can they work as partial explanations of his characters' actions. Similarly, the script omits a lot of explanation of characters and events. But their resulting strangeness contributes to Black Cat's transcendence of normal experience. Ulmer uses all the odd events of his films to make his characters...

Author: By Mike Prokosch, | Title: The Black Cat | 4/26/1969 | See Source »

...sequence flow. The romantic music beneath, instead of making the moment sentimental, shapes its transformations of appearance and experience into something completely lyrical. Ulmer's sense of his characters' complex and constantly changing souls, realized in fantastic camera devices, has a truth that integrates all its extreme stylization. It must be for this reason that I cannot avoid crying on seeing this, the most beautiful sequence on film...

Author: By Mike Prokosch, | Title: The Black Cat | 4/26/1969 | See Source »

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