Search Details

Word: musts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Blues coming out of the contemporary rock-scene is a version of the Blues form which has been developing in Chicago and other Northern urban centers sinces World War II. However, this Blues, primarily dominated by electric guitar, had its origins, in turn, in the Mississippi Delta. We must examine the Mississippi Blues form first...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...Elmore James knew these ideas instinctively. When Elmore James shouts the lyrics about his no good woman over the driving beat created by his rhythm section and then cuts loose with a barrage of savage notes he renders literary descriptions meaningless. Every man regardless of taste in music must be moved by the emotion and power of Elmore James' performance...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...King. Hendrix may, in truth, be the spiritual heir of Robert Johnson. He is the most innovative and modern guitarist on the contemporary Rock scene. King may be the most perfect Blues guitarist alive but his style is of another era. If Blues is to continue to exist it must evolve and Hendrix seems to be leading that revolution. If Rock is to survive it must go back to its roots and again Hndrix is there...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...looked at me, then said, more with her eyes than with her mouth, "Oh, so you're Mr. Wilson." By the time she said this I hand handed my bag to the bellhop and was taking out my pen t sign the room slip. Presented with a situation that must have seemed to her a fait accompli, she gave...

Author: By James Q. Wilson, | Title: FOCUS in Perspective: Between Shadow and Act | 2/27/1969 | See Source »

...this scale of artistic integrity it is the names of Burt Bacharach and Hall David that must be put on top. Every song in their score for Promises, Promises, musically and lyrically, is faithful to the style established by the rest of their work--a kind of song-writing pretty much alien to both Broadway convention and acid-rock...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

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