Word: musts
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Dates: during 1970-1979
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...dominant linguistic view is that a private communication must be mostly original to be called a "language," anything spoken fluently is considered language or a "linguistic exercise." Clinic Chairman Hagen is convinced that the Kennedy case suggests there is a large psychological input in language development. Says Hagen: "They were in a somewhat sensory-deprived environment, but they didn't stop at a signal system. To me their private language represents strong evidence that man has a basic drive to communicate beyond minimal needs. Language evolves to do just that...
Carter clearly does not believe that diplomats must be stuffy, or even statesmanlike all the time. When Candidate John Connally accused the President of muzzling critics of his handling of the Iranian crisis, the spokesman replied: "Mr. Connally has never understood the nature of the presidency, and that's why he'll never be elected." When a journalist asked last week about Henry Kissinger's role in bringing the Shah to the U.S., Carter declined to comment on what he called a "sideshow," a devilish reference to William Shawcross's book of that name highly critical...
...Cyrus Vance. A diplomat or bureaucrat can privately get across his side of an argument, or an explanation of policy, while publicly stating his position in Saran Wrapped platitudes. Not wanting to be used, reporters constantly labor to get off-the-record statements put back on the record but must often settle for not-for-at-tribution ("You can use it, but don't pin it on me"). When mutual trust has been established-the one convinced he will not be misquoted, the other that he will not be misled-a lot of important information has become public...
Leontes (Chris Clemenson) sits on this throne in the opening few scenes, his profile facing the audience, as the rest of the actors celebrate the King of Bohemia's arrival. This presentation immediately gives the audience the notion that this man must have something to hide. When Leontes finally speaks, the hidden becomes obvious--his jealousy wells to the surface. He even doubts at this point that Mamillius, his heir...
Leontes is one of those daunting Shakespearean leads that is almost impossible to pull off. His jealousy of his wife in the first three acts must grow until he loses the ability to think or function as king, or as human being. After his tyrannical madness, Leontes must reappear in the fifth act and be convincingly penitent and remorseful. He must also make credible the revalation scene in which the 'statue' of his wife, who for 16 years he has thought dead, comes to life from her pedestal...