Search Details

Word: musts (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...scandal-hungry press has no right to pretrial hearings so that they can feed the scandal-hungry public. Until a person is formally charged with a crime, his privacy must be protected...

Author: /time Magazine | Title: Letters, Aug. 6, 1979 | 8/6/1979 | See Source »

...hesitant. But Jimmy Carter's opening statement at his press conference under the grandiose chandeliers of the White House East Room was a purposeful and passionate appeal to the American people. "I need your help," he said. "This is a democracy. Your voice can be heard. Your voice must be heard...

Author: /time Magazine | Title: Nation: Now, for the Hard Sell | 8/6/1979 | See Source »

...play opens with the vulgar Party official Skripkin accompanying his mother-in-law shopping for his upcoming wedding. The first act centers on Skripkin's break with his fellow workers to marry into the petty bourgeoisie. The act is, without exception, unintelligible. The fact that the actors must play different parts in each scene, with no apparent logical transition, just adds to the confusion...

Author: By Katherine P. States, | Title: Full of Sound and Fury | 8/3/1979 | See Source »

...depicting what is, after all, the almost unbelievable pain inflicted on a community, and a boy, under German occupation. By writing of the war from an individual's point-of-view, Haviaras makes its terror more tangible. Devastation is incomprehensible on a large scale; to have emotional impact, it must be brought down to the level of one person. And because he writes of a place where the identity of the individual is bound up in that of the community, by writing of the individual's anguish he also conveys the anguish of the community. By bringing a poet...

Author: By Kim Bendheim, | Title: Outlasting Death | 8/3/1979 | See Source »

...character can churn up these kinds of emotions and survive. Dracula must die at the end of his movies, and he's got to die bloody, so it hurts. Part of us dies with him--loving it--and the other part drives in the stake and loves it more, sending Dracula back where he came from, to hell, to the bubbling pits of our own souls...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

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