Word: musts
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Dates: during 1970-1979
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...studying certain aspects of our mutual relations: financial and commercial exchanges; the movement of persons [into the U.S.]; drugs, which are being controlled increasingly on this side of the border; and contraband from the U.S. into Mexico. Taken together with the problem of the capital market, all these questions must be looked into carefully, because a curious thing is happening: at times of crisis, Mexicans take their money out of Mexico and put it into the U.S.; the U.S. accepts this Mexican capital but does not accept the Mexican worker. This is a problem that we have to bring...
...Unions must confront giant corporate capital with workers' capital. They must confront interlocking corporate power with interlocking workers' power." In the meantime, labor and business leaders are waiting to see what the new tactic pro duces. If either Stevens or Seafirst is eventually compelled to accept unionization, labor's use of the "corporate campaign" squeeze is certain to increase...
...York Life decided that it was not worth the fight. Stevens' Finley was again knocked off a board-this time New York Life's-and he was furious. Meanwhile, Brown, who had earlier vowed not to give in, resigned from the Stevens board. Said he: "I must consider the interests of New York Life...
...press is presumed to have the right to televise trials without permission, though judges can bar cameras if they see a real risk of prejudice. Bundy and his lawyers have repeatedly objected, calling the trial a "media event" and warning of prejudice to jurors in other courts where Bundy must still stand trial. But Miami Judge Edward Cowart was unmoved. He told TIME: "Cameras haven't impacted procedures the way some felt they would. It's better to have photographers in the courtroom than running up and down the halls...
This is the expensive Dracula that the gang at Hammer films must have dreamed of making back in the '50s and '60s. The legend had fallen out of general favor back then, and only B-picture makers and their fans still cared about the ineffable Transylvanian count and the strange folkloristic ways of fighting off his baleful influence (garlic on the windowsills, stakes through the heart, that sort of nonsense). Like those old programmers, the new Dracula is shot in the high gothic-romantic tradition, lushly scored and terribly serious about itself and its subject matter...