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Word: musts (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...valley in the blinding, opaque Australian sunlight. The land looked back and never blinked. I felt free to roam the cleared fields, but at the edge of the bush I felt an emotional barrier: no humans wanted. The kookaburras cackled derisively, and I inagined how the original settlers must have felt on first hearing that dismembered sound, coming out of the forest like a deranged banshee, a whole ancient continent helpless with mirth at the efforts of these stiff European turkeys to bend it to their will...

Author: By Susanna Rodell, | Title: Down Under | 4/26/1979 | See Source »

Rumor has it Martha had to nag at George to get him to sit for the painting; she must have angered Stuart because he made Martha's nose awfully big and didn't even stick around to finish the portraits. Even so, the paintings are nice and all, but Gilbert Stuart, the artist (who is very famous) isn't even from Boston (he was born in Rhode Island, poor devil) and George came to Boston with his army only a couple of times. So does Boston really have a claim...

Author: By Amy B. Mclntosh, | Title: George and Martha -- Washington? | 4/26/1979 | See Source »

Romeo and Juliet is too familiar and capricious a story for actors to rely on the plot alone. They must embody Shakespeare's fascination with the lunatic, the lover, and the poet,' and when they cannot, the play falls from masterpiece to warhorse, from tragedy to farce...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

...performers of these parts are to convince us of the trancendence of their bond, they must use the one tool Shakespeare gives them--his poetry. Its power is extraordinary, as when it switches from the prevalent formal diction to simple, direct monosyllables in the Act II meeting between the two lovers--so straightforward that its language has become a model for greeting cards and sentimental wallposters. Shakespeare never lets us doubt that the love of Romeo and Juliet is the offspring not of their hearts but of their dreams, their words...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

...blame for the failure of this Romeo and Juliet must lie at the feet of Hughes and Shannon Gaughan as Juliet. Neither goes beyond the broad label of 'youth' to find some more specific trait in their characters to highlight; neither is terribly graceful on stage; and both annoyingly exploit some vocal and some non-verbal mannerisms...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

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