Word: musts
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Dates: during 1970-1979
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Researchers must develop techniques to separate insulin from the piggyback molecule, to produce larger quantities of insulin, and to produce human insulin rather than rat insulin, he said...
...went beyond all permissible bounds in its Coney Island hodgepodge of a production. It did better in 1966, and still better in 1974. Taken as a whole, the current version is as good as the third. Even if one disagrees with some of Freedman's initial decisions, one must admit that the result is a smooth and elegant production. Not many of the players and staff have worked at the AST before, and Freedman was probably wise to bring in a considerable roster of people with whom he had worked elsewhere. With one major exception, the actors are more than...
...high priestess in the realm of the irrational, Jayne Meadows Allen does a deadly parody of Louella Parsons, and Max Wright is a marvel of frustration as a writer with nothing to show for his work but a gilded cage. If one name must rank above the other 28 in the cast, it has to be that of John Lithgow, whose simple-souled George cements his reputation as an actor of formidable versatility...
...other main approach to "nature" -landscape painting being hopelessly old hat-was via anthropology: artists playing Robinson Crusoe or Man Friday under an umbrella of structuralist jargon. Here, the palm for silliness must go to a Dutchman named Krijn Geizen, who built a reed hut and set a tuna to smoke on a rack outside it. This piece of mock primitivism was intended to say something about survival, in homage to the fishermen of the Po delta; but since the tuna was not caught by the artist but bought in the Venice fishmarket, the project looked vicarious, like Marie Antoinette...
...derives happiness from working together harmoniously to create the new order. This means the dis orders, the sorrows (and the private visions and fancies individuals indulge in as compensation) - the raw materials of a vital art - are banned as irrelevancies. Artists, if they are to continue to function publicly, must either embrace the gaseous platitudes of revolution or bury themselves in popular, native tradition. Chinese ballet, for instance, was hobbled when authorities decided to erase any Russian influences. Folk singing and dancing seem to be much safer areas to cultivate. So is something like the Peking Opera, which relies...