Word: musts
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Dates: during 1980-1989
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...happily shouting people; at 5 some were still sitting in hotel lobbies, waiting for dawn. One group was finishing off a bottle of champagne in the lobby of the Hotel Am Zoo, chatting noisily. "We're going back, of course," said a woman at the table. "But we must wait to see the stores open. We must see that...
...emigrate. Uwe Grebasch, 28, the driver, said he and his companion, Frank Vogel, 28, had considered leaving East Germany for good but decided against it. "We can take it over there as long as we can leave once in a while," said Grebasch. "Our work is O.K., but they must now let us travel where we want, when we want, with no limits...
...their compatriots from the East was an odd amalgam: We love you, and if you come, we will welcome you with open arms -- but really, we wish you would stay home. "Anyone who wants can come," said Mayor Momper, but added, "Please, even with all the understandable joy you must feel being able to come to the West, please do it tomorrow, do it the day after tomorrow. We are having trouble dealing with this." In Bonn, Interior Minister Wolfgang Schauble warned would-be refugees that with a cold winter coming on, the country is short of housing. Hannover Mayor...
Call it by its rightful name, Les Liaisons Dangereuses. Call it Dangerous Liaisons. Call it, if you must, Valmont. But in any case it looks as if we can now call it a day for stage and movie adaptations of Pierre-Ambroise-Francois Choderlos de Laclos's intricate, instructive novel of sexual gamesmanship among the 18th century French aristocracy. For Milos Forman and Jean-Claude Carriere, while fiddling with the plot of this deliciously nasty tale, have studiously embalmed its spirit. Valmont arrives stiffened by the elegant, inert formalism of Forman's direction, and chilled by Carriere...
...play was a swell show; it had something for everyone. The main thing preventing it from being an equally swell movie is the fact that it is a movie. A film must offer us something a little more spectacular than half a dozen white chicks sitting around talking. Accordingly, Harling's adaptation hustles them out of the beauty shop and into the life of the town. Suddenly the people they talked about so amusingly behind their backs must be met face- to-face. The conflicts and confusions that sounded so hilarious in the recounting are spread out realistically. And reality...