Word: musts
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...Political globalization must be able to represent its global 'demos' [people] democratically and it must make the citizens of the world participants in the political and economic process of transition to a more integrated globalized world," Papandreou said...
...through the opening song of Jewels, the misanthropic "Mexican God," on which he waxes Learian about "Moonly-lit cop-crashed garlic and babies." Hitchcock then embarked on a rambling between-song odyssey, describing two almost identical pumpkins standing beside each other on a lake shore, admiring each other. "It must be totally horrendous to be in love with something so like yourself," he remarked before launching into the next song. The songs themselves were a mix of old and new work (Hitchcock describes the show as "a resum of what I've done in music...
...from the canonical cathedral of American fashion only to be permanently replaced with the image of Rosie O'Donnell (Our Lady of the KMart)? May we forgive Agins her generalizations, as we forgive ourselves our errant tastes. And remind her that if she considers fashion to be art, she must allow it to transform. It seems that because the couture pieces don't sell so much anymore (imagine something with big slits and peacock feathers) they are no longer art. All that has happened is that the runway has transformed from an auction block to a museum exhibition. Agins does...
...look at beginnings, endings, new starts and redemption, to be published in December, submissions will still be considered based on quality, but with an eye to how well work fits this theme. The Advocate publishes fiction, poetry, art, and photography, as well as an increasingly healthy features section. Writers must be enrolled in a degree program at Harvard in order to submit. Consult the Advocate website for submission details...
...loses everything for a chance to set the record straight and doubts whether the price was worth it. Meanwhile, Bergman can't get Wigand's interview on the air at CBS; Don Hewitt and the corporate heads fear a multi-billion lawsuit from Brown and Williamson, and Bergman must plead with Hewitt and anchor Mike Wallace to get the ground-breaking interview on "60 Minutes." The loose, organic structure of the film works its magic in the first third of the movie; the pacing is deliberate and slow, allowing the film to get under Wigand's skin and into...