Word: musy
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Dates: during 1930-1939
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Moonlight and Pretzels (Universal). The extraordinary thing about this musi-comedy is not that it resembles Forty-Second Street and Gold Diggers of 1933 in plot, pattern and environment; that it has the same type of dances, staged by Bobby Connolly, and the same type of songs ("Dusty Shoes'" for a finale instead of ''Forgotten Men"); or that its ingenue, Mary Brian, not only looks like Ruby Keeler but has obviously been coached to. speak in the same soft monotone. The surprising aspect of Moonlight and Pretzels is that it makes plausible Hollywood's profound conviction...
...latest flirtation was beginning to grow serious, his grown-up daughter turned up to plague him. At first he thought Lindsay a credit to him: she was not beautiful but she had charm, wit, sophistication, and she was on the verge of a big success in the musi-comedy world. They took to each other on sight, but Carl rapidly discovered his daughter was a little too clever for his comfort. It was bad enough when she trapped him into giving her unattractive young half-sister a horribly boring day-long birthday treat; but when she collected...
Last week the Princeton University Triangle Club took its 44th annual musi-comedy to Manhattan's Metropolitan Opera House before the usual holiday swing through the country. Those who had charge of this year's production. It's The Valet, appeared to have done a less sprightly job than many of their predecessors. It's The Valet is not very funny...
...amuses but its pattern is growing a thought too familiar. Not that Author Wodehouse never uncorks anything new. Hot Water, his latest offering, shows him a keen student of U. S. vaudeville gags, funny sheets, Walter-Winchellisms. It is a tribute to his skill as a merciless horser of musi-comedy scenes, dialog and situation that he is still able to raise many a horse laugh. Packy, U. S. Adonis, ex-Yale footballer and recent millionaire, has bitten off more than he really wants to chew in getting engaged to a beautiful English bluestocking. Fat, henpecked Mr. Gedge...
Everybody's Welcome is a musi-comedy version of last season's comedy Up Pops the Devil, which retains just enough of the original story & dialog to provide Frances Williams, Oscar Shaw, Jack Sheehan and Cecil Lean with an adequate background for their monkey business. Love in a Greenwich Village flat becomes love in a penthouse, with the Empire State Building (minus the new red light) instead of the moon looking benevolently through the window. Mild satire on the writing business becomes broad burlesque of the giant "Proxy" cinemansion. A minor character in the original play becomes Frances...