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...world's greatest tap-dancer, announced at a recent convention of the American Association of Dance Masters (TIME, Sept. 8), is shared by many. For more than 30 years he pranced around Benjamin Franklin Keith's vaudeville circuit. Two years ago he entered musi-comedy with an appearance in Blackbirds of 1928. If he was not the first man to clog up and down a set of stairs, he is certainly the foremost practitioner of that routine. The later or developed Robinson period is probably now at its zenith. No longer does the dancer depend on gyrations...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 20, 1930 | 10/20/1930 | See Source »

...small, eager mind." After she was graduated from St. Mary's Academy (South Bend, Ind.) in 1876, she took to the light operatic stage, appearing in La Mascotte, Fatinitza, Erminie, The Mikado, H. M. S. Pinafore, The Pirates of Penzance. During this period she married Harry Brown, musi-comedian, by whom she had a son who died at the age of four. About that time she left the stage, joining the staff of the Daily News in 1890. Her second husband, one Frank Howard Buck, divorced her in 1916 on the grounds of cruelty. Most fantastic occurrence of her life...

Author: /time Magazine | Title: Theatre: Chicago's Amy | 9/8/1930 | See Source »

...unlike Ernest Bramah's tales of Kai Lung, in its lacquered language of excessive pseudo-Oriental politeness, unlike them in the faintly lickerish tinge of the narrative, Petal-of-the-Rose gives about as realistic a picture of China as a musi-comedy does of life, affords much the same kind of titillating entertainment...

Author: /time Magazine | Title: Books: Lickerish Lacquer | 5/12/1930 | See Source »

Harriet Hoctor, one of the few musi- comedy dancers who is still billed as premiere danseuse, justifies the title by leading the chorus, all attired in crimson riding habits, through a maze of green hurdles. And there is Ruth Etting, a pensive blonde who sings one of the best tunes Richard Rodgers and Lorenz Hart ever wrote ? "I Still Believe You.'' Children will hugely enjoy Simple Simon; their elders may profitably join them...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Mar. 3, 1930 | 3/3/1930 | See Source »

...payroll ever since, obtaining sundry leaves of absence. Her only previous U. S. appearance was in Max Reinhardt's production of A Midsummer Night's Dream (1927) but she directed the dances for Noel Coward's recent revue This Year of Grace and his current musi-comedy Bitter Sweet. Most of the routines in Wake Up and Dream are also hers...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 13, 1930 | 1/13/1930 | See Source »

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