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...Griffith's plot with becoming fidelity, while sending it up by adding a funky chorus of observers: three black girl singers in tight skirts and tighter harmonies. In the show Audrey Jr. is Audrey II, and at the outset is a tiny terror: Pac-Man's mean mutant brother. By the show's climax, it envelops the stage and (gasp!) most of the audience. This is a carnivore with its own intimidating charm, thanks to clever manipulation by Martin P. Robinson and the voice of Ron Taylor, who sounds like Paul Robeson crossed with an air-raid...

Author: /time Magazine | Title: Theater: When Trash Is a Treasure | 8/23/1982 | See Source »

...only amenity is staying alive. Where there was high culture, now there is only car culture. In one of the film's first images, an automobile breaks angrily through one side of the truck that has been holding it; this is the caesarean birth of the new mutant marauders. They race across the scarred landscape on stripped-down motorcycles, killing for fuel, raping for fun, going to hell at 80 m.p.h. In a jerry-built fortress, the more admirable survivors have assembled an oil refinery-but, surrounded by the marauders, they cannot escape to use their precious petrol. Into...

Author: /time Magazine | Title: Cinema: Apocalypse... Pow! | 5/10/1982 | See Source »

Maternity pants, it must be admitted, remain a problem. Most of them have an elastic belly that looks like some weird kind of mutant marsupial pouch; even size 48s and a set of suspenders would be preferable. No haute couture designer has come up with an adequate solution to this challenge in aesthetic engineering, in part, because no designer-with the exception of Givenchy-seems especially interested in doing a special maternity line. Most, like Perry Ellis, are delighted to have their clothes adapted for maternity, but they show no inclination to dabble in the market...

Author: /time Magazine | Title: Living: Stepping Out with My Baby | 2/22/1982 | See Source »

...resulting dialect has considerable appeal. Often, Hoban merges two words into one, with fascinating results. A woman is a "wooman," says Riddley, because "she's the 1 with the woom." The leader of the mutant survivors of the great flash is known as "the Ardship of Cambry," one who suffers many an "ardship." The most chilling pun has to do with the central myth of Riddley's time, an adaptation of the only document left from before the flash, the Christian legend of St. Eustace. In "the Eusa story," Eusa tampers with "the Littl Shyning Man" and creates the cataclysm...

Author: By Michael W. Miller, | Title: Foragers and Mutants | 10/27/1981 | See Source »

MEASURE FOR MEASURE has always been one of the most problematic of Shakespeare's plays. It's kind of mutant tragedy, with fits of claustrophic comedy, in which the outcome is unsettling and the humor discordant. Nineteenth century critics often found the play, with its sense of ad hoc justice and seemingly black core, one of Shakespeare's worst; Coleridge even called it hateful. The twentieth century has looked more kindly at the play (less of a compliment than it seems) seeing in it a vicious and cynical tragi-comedy. Written in the middle of Shakespeare's career, Measure...

Author: By Thomas Hines, | Title: A Good Measure | 7/7/1981 | See Source »

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