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...like a stiletto from the next century. Its proportions are so gargantuan that even an unwilling observer is thrown into the role of a tiny mannequin in an architect's scale model. The low-rise section has the sinuousness and personality of a granite python, and the tower rises mute like an Aztec altar. Some people claim that architecture like this requires a new grammar of response; I think instead that Mather House almost demands that we abandon our way of seeing...

Author: NO WRITER ATTRIBUTED | Title: Slouching Toward Alphaville | 6/17/1971 | See Source »

...Egypt, Syria and Libya. The union has been coolly received by Egyptians, who recall how a similar federation with Syria dissolved rancorously a decade ago. Sadat is not believed to be much more enthusiastic; but he agreed to join in order to put pressure on Israel and to mute criticism of his diplomatic initiatives toward the Israelis...

Author: /time Magazine | Title: The World: Middle East: The Underrated Heir | 5/17/1971 | See Source »

...look at an image like Campbell's Soup Can, 1965, is not to see it through Warhol's eyes-he has eliminated all idiosyncrasies. There is no contagion of personality. What remains is the flat, mute face of an actuality presented as meaning nothing beyond itself. When Warhol's series of cans, dollar bills, stickers and movie stars appeared in the early and middle '60s, they were thought ironic, an indictment of consumer culture; and a Goyaesque mordancy was attributed to his silk-screen portraits. Because it was deemed improper for an artist...

Author: /time Magazine | Title: Art: Man for the Machine | 5/17/1971 | See Source »

Children of War. The streets of Saigon contain an incredible panoply of Hieronymus Bosch figures-limbless veterans stumping about in camouflaged fatigues, hideously napalmed women nursing children on the sidewalks, deaf-mute prostitutes selling their wares in sign language, and lepers holding hats in gnarled, swollen hands. But few are more poignant than the ever-present "street children...

Author: /time Magazine | Title: The World: Indochina: A Generation of Refugees | 5/10/1971 | See Source »

...direct experience that this century has had to offer. Like the six-year-old boy in The Painted Bird, he was separated from his Jewish parents during World War II and survived as a waif in the Polish countryside. Like Chance, he suffered a physical injury that left him mute for five years. After the war he was reunited with his parents and placed in a school for the handicapped...

Author: /time Magazine | Title: Books: Playing It by Eye | 4/26/1971 | See Source »

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