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...damp earth like freshly minted gold florins") and longer passages ("the light limped from rock to rock on its way like a wounded bird on its way upward. For a moment, it rested on the peak of the opposite mountain, seemed to pirouette upward, then disappeared. The mute murmur of evening, like the tigress's melody, enveloped the monastery"). Naturally, Kazantzakis chooses more brutal images in the second section, as when Madrid's "divine, sun-washed body was dissolving" during a bombing...

Author: By Heather J. Dubrow, | Title: Spanish Journal | 11/14/1963 | See Source »

Oracular Instincts. Graham's dancing today is a grace remembered. She has become fragile and precarious onstage. The mute eloquence of her gestures is now as terse as it is cryptic; her dances are only sketches of her intent. But the 19 other dancers-nine male, ten female-in her company are all masters of the "virile gestures" that, she says, "are evocative of the only true beauty." Movement is full of the strain and pain academic ballet attempts to conceal, and each step is meant as a metaphor that tells of the life of the heart. Barefoot...

Author: /time Magazine | Title: Dance: Rites in the Cave of the Heart | 10/25/1963 | See Source »

...views assaulted the conscience of all England. He created the character of Colonel Blimp, a florid beefeater with a walrus mustache who symbolized British complacency in the teeth of the 20th century's storms. From a Turkish bath, the colonel sprayed his nonsense at a mute companion who looked suspiciously like Cartoonist Low. "Gad, sir," said the colonel, "Hitler is right. The only way to teach people self-respect is to treat 'em like the curs they are." Japan was right, too, in the Blimpian Olympus: Keeping the white man out of the black man's country...

Author: /time Magazine | Title: Cartoonists: The Statesman | 9/27/1963 | See Source »

...playwriting Beckett thrives on frugality and restraint. He tends to use a small cast, to observe the classical unities, and then to set up further obstacles for himself. Now he uses a mute character, now just one man and a tape-recorder; now he confines one character to a wheelchair and two others inside ashcans, now he does away with spoken words entirely. In his latest work, simply called Play (1963), the three characters are ensconced in big white urns with only their heads visible...

Author: By Caldwell Titcomb, | Title: Beckett's `Happy Days' | 8/13/1963 | See Source »

Brazil's 100,000-man army likes to think of itself as the "great mute," strong in power, silent in politics. Unlike many Latin American armed forces, it has yet to foist a military dictatorship on the country. In a century and a half, it has overthrown a Portuguese king, two Brazilian emperors, a president, a dictator, and even a would-be military strongman. But every coup, the brass likes to boast, was a direct translation of the popular will. True to tradition, the army today is an all-too-faithful reflection of the nation-divided, discontented and quarrelsome...

Author: /time Magazine | Title: Brazil: Blame August | 8/9/1963 | See Source »

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