Word: mutes
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Dates: during 1960-1969
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...lazy mountain village of Chiangmai, Thailand, not far from the embattled borders of Laos, pedicabs wheel slowly through the shaded streets to the hive of fruit stalls, artisans and peddlers in the marketplace; and in the jungles, past the brooding Buddhist temples, the eucalypti and wild orchids frame the mute beauty of the valley...
...small-town Southern youth with remarkable precision. The Morning and the Evening is a carefully controlled yarn, which has as its hero the village idiot of a small Mississippi town. What seems at first like another Southern Gothic construction, with heartstrings, quickly becomes something more important. No near-helpless, mute man of 40 can arouse an emotion much stronger than pity, but the reactions of neighbors to his helplessness and his own vulnerability to cruelty can tell a great deal about man's eternal debt to his fellows...
Back in hot water with Republicans howling for his head, controversial Stew Udall called in the press, after first carefully stationing at his side venerable Poet Robert Frost, his luncheon guest, as a sort of mute character witness. Udall angrily denied that he had meant to bludgeon money from the oil and gasmen. He admitted that he was a good friend of Evans', an official of Asiatic Petroleum Co., an affiliate of the Royal Dutch Shell group. But, said Udall, all that he had done was to tell Evans casually that he hoped...
Sorrowfully, Jackie Gleason heaved himself upright and looked at Gene Kelly. The two are in Paris trying to film a movie called Gigot, about a lovable deaf-mute bum whose best friend is an alley cat. In the first scene, the cat is supposed to hear an alarm clock, wake up, and then rouse his deaf ami by licking his face. But the first dozen Parisian alley cats had flunked their screen tests. Gleason, who plays Gigot, swabbed off the sardine oil and discussed things with Actor-Director Kelly. Importing trained cats from Hollywood would cost almost...
...Brecht, Mother Courage was a shameless war profiteer. He was disgusted when audiences invariably wept at play's end as Mother Courage yoked herself once more to her wagon, a mute indomitable symbol of humanity's will to endure...